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http://dbpedia.org/ontology/abstract Al fresco-målning, även affresco eller fre … Al fresco-målning, även affresco eller freskoteknik, är muralmålning utförd på färsk, fortfarande fuktig kalkputs. Termen al fresco kommer från italienskan, med samma betydelse, och direktöversätts till "på det färska". Dess motsats är al secco, eller seccoteknik, där kalkputsen först har fått härda, eller torka. Med freskoteknik används pulvriserat färgpigment blandat med vatten, som målas direkt på fuktig, nylagd kalkputs. Den rena freskotekniken, även kallad buon fresco, är den mest hållbara tekniken. Underlaget byggs först upp med ett par lager kalkputs över hela ytan. Det lager man målar på, kallat intonaco, är en extra fin puts, som stryks ut över just det område man avser klara av under dagen, kallat giornata, eftersom målningen inte kan ändras efter det att putsen härdat. Med freskotekniken kommer pigmentpartiklarna att omges av de kristaller som bildas av kalken när den härdar, vilket ger ett mer hållbart resultat än vid seccoteknik. Hållbarheten förutsätter dock att pigmenten är kalkäkta, det vill säga klarar av kalkens basiska miljö. Mezzo fresco (ungefär halvfärskt) är en variant av freskotekniken, där intonacon, kalkputsunderlaget man målar på, har kommit längre i härdningen än vid buon fresco och bara har en liten fuktighet kvar. När pigmenten stryks på kommer de därmed inte lika långt in i putsen, vilket ger en annan effekt. En viktig fördel med mezzo frescco-tekniken är att den ger konstnären längre tid. Större partier kan då färdigställas samtidigt, så att man får en mer sammanhållen målning utan skarvar. Metoden blev populär under renässansen och vid början av 1600-talet hade den i stort sett ersatt buon fresco. hade den i stort sett ersatt buon fresco. , Фре́ска (от итал. fresco — свежий), аффрес … Фре́ска (от итал. fresco — свежий), аффреско (итал. affresco) — по сырой штукатурке, одна из техник стенных росписей, противоположность «альсекко» (росписи по сухому). При высыхании содержащаяся в штукатурке известь образует тонкую прозрачную кальцитную плёнку, делающую фреску долговечной. Выполняется художником-фрескистом. В настоящее время термином «фреска» могут называть любую стенную живопись, вне зависимости от её техники (альсекко, темпера, живопись масляными, акриловыми красками и так далее). Для обозначения непосредственной техники фрески иногда используют наименование «буон фреска» или «чистая фреска». Впервые этот термин появился в трактате итальянского художника Ченнино Ченнини (1437). Иногда по уже сухой фреске пишут темперой.Иногда по уже сухой фреске пишут темперой. , Fresk (z wł. fresco – świeży) – technika m … Fresk (z wł. fresco – świeży) – technika malarstwa ściennego polegająca na malowaniu na mokrym tynku farbami odpornymi na alkaliczne działanie zawartego w zaprawie wapna. Inne nazwy to al fresco i buon fresco. Potocznie jako fresk określa się wszelkie malowidła ścienne, wykonane różnymi technikami. W ścisłym rozumieniu nazwa fresk odnosi się jednak wyłącznie do tych, które zostały wykonane na mokrym tynku. Fresk jest jedną z najtrudniejszych technik malarstwa, ponieważ przy jej stosowaniu dokonywanie jakichkolwiek poprawek i zmian w malowaniu jest praktycznie niemożliwe. Należy jednak do najtrwalszych rodzajów malarstwa ściennego.ajtrwalszych rodzajów malarstwa ściennego. , Die Fresko- oder Frischmalerei (italienisc … Die Fresko- oder Frischmalerei (italienisch a fresco, affresco, al fresco; deutsch „ins Frische“) ist eine Technik der Wandmalerei, bei der die zuvor in Wasser eingesumpften Pigmente auf den frischen Kalkputz aufgetragen werden. Bei der Carbonatisierung des Kalks werden die Pigmente stabil in den Putz eingebunden. Fachleute nennen diesen Vorgang auch Einsinterung. Das fertige Wand- oder Deckenbild wird das Fresko oder seltener die Freske genannt. Der ausführende Künstler wird als Freskenmaler oder Freskant bezeichnet. Die Bezeichnung Fresko hat sich umgangssprachlich für Wandmalereien jeder Art eingebürgert. Sie wird deshalb nicht nur für die feuchte Ausführungsweise (fresco) verwendet, sondern auch für Malereien, die trocken (secco) ausgeführt werden (mit Tempera-, Kasein- oder Acrylatfarben). Selbst an Wandflächen applizierte Leinwandmalereien werden fälschlich als Fresken bezeichnet, gelegentlich sogar in der Fachliteratur., gelegentlich sogar in der Fachliteratur. , La fresque est une technique particulière … La fresque est une technique particulière de peinture murale dont la réalisation s'opère sur un enduit appelé intonaco, avant qu'il ne soit sec. Le terme vient de l'italien affresco qui signifie « dans le frais ». Le fait de peindre sur un enduit qui n'a pas encore séché permet aux pigments de pénétrer dans la masse, et donc aux couleurs de durer plus longtemps qu'une simple peinture en surface sur un substrat. Son exécution nécessite une grande habileté, et se fait très rapidement, entre la pose de l'enduit et son séchage complet. Le terme est souvent utilisé, par extrapolation, dans le langage courant pour désigner la peinture murale en général et plus rarement la technique même a fresco. plus rarement la technique même a fresco. , Fresko (el la itala: al fresco, a fresco = … Fresko (el la itala: al fresco, a fresco = al freŝo)) estas pentraĵo per akvaj koloriloj sur freŝa stukaĵo de muro. La pentraĵo estas farita dum la stukaĵo estas ankoraŭ malseka, kaj stukaĵo kaj koloroj kune sekiĝos. Laŭ Francisko Azorín fresko estas Pentraĵo farita per koloriloj solvitaj en gluakvo sur freŝe kalkglatigita muro aŭ tolo. Li indikas etimologion el latina frigus (malvarma).s etimologion el latina frigus (malvarma). , تصوير جصي أو فريسكو، هو أحد أشكال الفن التي يتم من خلالها استخدام الجص كمادة لتمليط أو تجصيص سقف أو جدران بشكل فني. كلمة فريسكو جاءت من الكلمة الإيطالية affresco والتي تعني غض أو طري. , Un fresco (del italiano affresco)​ es una … Un fresco (del italiano affresco)​ es una pintura realizada sobre una superficie cubierta con dos capas de mortero de cal, la primera (arricio) de mayor espesor, con cal apagada, arena de río y agua, y la segunda (intonaco) más fina formada por polvo de mármol, cal apagada y agua, sobre la que se van aplicando los pigmentos, cuando todavía esta última capa está húmeda, y por jornadas (giornate, al plural; giornata al singular), de ahí su nombre. Destacan las decoraciones de la Capilla Sixtina hechas por Michelangelo Buonarroti. El fresco se ejecuta en jornadas de trabajo de 8 horas, ya que la cal en un periodo de 24 horas comienza su proceso de secado y no admite más pigmentos. Por ello algunos acabados se realizaban en seco, con temple, es decir, aglutinados con cola. A esa técnica se le conoce como fresco seco.esa técnica se le conoce como fresco seco. , Freska je nástěnná malba zhotovená na vlhk … Freska je nástěnná malba zhotovená na vlhké omítce. Název freska pochází z italského al fresco („na čerstvo“) – v protikladu k al secco („na sucho“). Technika malování fresek byla známa již ve starověku, používala se v Řecku a především v Itálii, ale také v Číně a Indii. Raně křesťanské umění a umění raného středověku dalo přednost mozaikám, takže umění fresky upadlo na dlouhou dobu téměř v zapomnění. K obnově došlo až koncem 13. století. Malování fresek je technicky náročná práce. Nános barvy (rozmělněné minerální pigmenty smíchané s vodou) se nanášejí do ještě vlhké omítky tak, aby se barvy vsákly do podkladu a usychaly společně s ním. To znamená, že malíř musí pracovat rychle, aby omítka nezaschla, neboť poté lze provádět pouze malé opravy temperou. Fresky se nehodí do vlhkého prostředí (například v římské bazilice sv. Petra existuje pouze jediná freska).e sv. Petra existuje pouze jediná freska). , O fresco, também conhecido como afresco em … O fresco, também conhecido como afresco em Português brasileiro, é uma obra pictórica feita sobre uma parede ou teto, com base de gesso ou argamassa. Assume frequentemente a forma de mural. A técnica é utilizada desde a antiguidade, estando intimamente relacionada com a pintura italiana renascentista.nada com a pintura italiana renascentista. , 프레스코(영어: fresco, 복수형 frescos 또는 frescoes)는 … 프레스코(영어: fresco, 복수형 frescos 또는 frescoes)는 'a fresco' (방금 회(灰)를 칠한 위에) 라는 이탈리아어에서 나온 낱말로서 르네상스와 바로크 시대에 많이 그려진 벽화를 일컫는다. 석회·석고 등으로 만든 석회벽의 건조가 채 되지 않은 덜 마른 벽면에 수용성 그림물감으로 채화(彩畵)하는 기법이다. 프레스코란 벽이 깨끗하게 도식(塗飾)되어 있어서 신선하다는 뜻으로, 영어의 프레시(fresh)도 그에 유래한다. 그림물감의 종류는 토질(土質)·광물질의 것으로 색수는 적다. 그림물감은 벽에 흡수되어, 벽이 마를 때 표면에 고착하므로 빛깔은 변색되지 않고 내구력이 있다. 다만 말라감에 따라 광택을 잃고 발색이 둔화되는데 거기에 프레스코 특유의 차분한 색조(色調)를 볼 수 있다. 르네상스 이후 벽면이나 천장화에 많이 쓰인다. 15세기-16세기 이탈리아에서 가장 발달하고 미켈란젤로의 시스티나 예배당의 천장화나 벽화, 라파엘로의 바티칸궁의 벽화 등이 프레스코 기법에 의한 대표적인 작품이다., 라파엘로의 바티칸궁의 벽화 등이 프레스코 기법에 의한 대표적인 작품이다. , 濕壁畫（Fresco），原意是“新鮮”，是一種十分耐久的壁飾繪畫，泛指在鋪上灰泥的牆壁及天花板上繪畫的畫作，14－16世紀流行於義大利。 , Fresko adalah teknik melukis pada dinding … Fresko adalah teknik melukis pada dinding dengan menimpakan pigmen pada plaster dinding yang baru dilapisi. Kemudian definisi ini sedikit berubah karena Leonardo da Vinci memperkenalkan teknik baru dengan menimpakan pigmen warna kepada lapisan yang telah kering dengan sedikit modifikasi. Fresko berasal dari frasa Italia buon fresco yang berarti "selagi basah". Pigmen yang ditimpakan di atas plaster basah akan melekat sangat kuat sehingga hasil karya bisa dinikmati berpuluh tahun. Adonan ini harus dibuat dengan takaran yang tepat, sebab bila terlalu basah akan menyebabkan timbulnya jamur, dan bila terlalu kering akan menyebabkan pigmen tidak bisa tertempel kuat. Desain fresko biasanya dibuat pada bagian atas kertas yang kemudian dilubangi, ditempelkan ke atas plaster basah, dan ditaburi pigmen gelap yang kemudian membuat pola desain yang persis sama dengan rancangan semula. Lukisan harus dibuat secepat mungkin sebelum adonan plester mengering sehingga saat sebagian air diserap oleh dinding, pigmen yang ada juga ikut terserap dengan kuat. Teknik fresko banyak dipakai pada masa Renaisans hingga Barok. dipakai pada masa Renaisans hingga Barok. , Freskoa (italieratik affresco) horma edo s … Freskoa (italieratik affresco) horma edo sabai igeltsuztatu hezean (freskoan) kare-urez nahastutako koloreak erabiliz egindako pintura da. Gisua margolariak egunean egin dezakeen lanaren arabera zabaltzen da, lehortuz gero gogortu egiten baita, eta hezea behar du izan koloreak xurgatu ditzan. Aireko karbono dioxidoak karearekin erreakzionatzean koloreak igeltsuan finkatzen ditu. Egiptoarrek, grekoek eta erromatarrek arrautza, Arabiako goma, lekeda eta argizaria erabiltzen zuten koloreak nahasteko. Freskoan egindako pinturak garbitasun eta argitasun handia ematen dio koloreari. Baina margolaria baldintza jakin batzuetan lan egitera behartuta dago, eta horregatik gutxi erabiltzen da gaur egun. horregatik gutxi erabiltzen da gaur egun. , Is teicníocht ársa chun péintéireacht a dh … Is teicníocht ársa chun péintéireacht a dhéanamh ar bhallaí é an freascó, a tugadh chun foirfeachta sa 14ú-16ú céad san Iodáil. Le linn an Renaissance, rinneadh freascó go leor i séipéil, i bpáláis agus i mainistreacha. Níl an freascó in úsáid ach go fíorannamh inniu. freascó in úsáid ach go fíorannamh inniu. , Een fresco (Italiaans voor "vers") is een … Een fresco (Italiaans voor "vers") is een muur- of plafondschildering waarbij de verf direct op de natte kalk wordt aangebracht, zodat zij daarmee, na droging, één geheel vormt. Het voordeel van fresco's is dat de pigmenten, die door de kalklaag geabsorbeerd worden, zeer duurzaam zijn. Het nadeel is dat latere correcties niet mogelijk zijn. Het werken met verf op verse natte kalk heet schilderen al fresco of in fresco. Op een gedroogde kalklaag heet dit schilderen a secco of al secco. Een tussenvorm is mezzo-fresco, waarbij de schildering wordt aangebracht op gedeeltelijk gedroogde kalk. Fresco wordt dus zowel gebruikt voor de schildertechniek als voor de schildering zelf. De schilderterm fresco stamt van de Italiaanse uitdrukking buon fresco, ("goed vers"), een technische term die het tegenovergestelde is van in secco ("op droog oppervlak"). Caseïne en silicaatverven zijn uitermate geschikt om al secco te schilderen. Lijmverven houden echter minder lang stand. De vroegste vorm van fresco was te vinden op Kreta. Vandaaruit verspreidde de techniek zich onder meer naar het Oude Egypte.niek zich onder meer naar het Oude Egypte. , Η νωπογραφία ή φρεσκογραφία (Ιταλικά: Affr … Η νωπογραφία ή φρεσκογραφία (Ιταλικά: Affresco) είναι τεχνική για την δημιουργία τοιχογραφιών, με βάση την οποία τα χρώματα απλώνονται απευθείας σε νωπή επιφάνεια. Με τον τρόπο αυτό τα χρώματα διατηρούνται για πολύ μεγάλα χρονικά διαστήματα. Κοιτίδα της τεχνικής της νωπογραφίας θεωρείται η Μινωική Κρήτη. Πάντως, όλες οι αιγαιακές τοιχογραφίες της εποχής του Χαλκού ήταν νωπογραφίες, αν και σε κάποιες περιπτώσεις λεπτομέρειες είχαν προστεθεί αργότερα.εις λεπτομέρειες είχαν προστεθεί αργότερα. , Fresco (plural frescos or frescoes) is a t … Fresco (plural frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco (Italian: affresco) is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in apparently Buon fresco technology, the use of supplementary organic materials was widespread, if underrecognized.erials was widespread, if underrecognized. , Un fresc és una pintura realitzada sobre u … Un fresc és una pintura realitzada sobre una superfície coberta amb dues capes de morter de calç, la primera (arricio) de major gruix, amb calç apagada, sorra de riu i aigua, i la segona (intonaco) més fina formada per pols de marbre, calç apagada i aigua, sobre la qual es van aplicant els pigments, quan aquesta darrera capa encara està humida, i per jornades (giornatas).a està humida, i per jornades (giornatas). , フレスコ（英語: fresco、イタリア語: affresco）は、絵画技法のひとつ。この技法で描かれた壁画をフレスコ画と呼ぶ。西洋の壁画などに使われる。 , L'affresco è una tecnica di pittura murale eseguita sull'intonaco fresco di una parete: il colore ne è chimicamente incorporato e conservato per un tempo illimitato. , Фре́ска (від італ. fresco, дос. «свіжий») — живопис на вологій штукатурці, одна з технік настінного малярства, протилежна до "альсекко" (розпис по сухому). Робилися за допомогою сиру, шматків каменю, природних барвників та інших засобів.
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rdfs:comment Freskoa (italieratik affresco) horma edo s … Freskoa (italieratik affresco) horma edo sabai igeltsuztatu hezean (freskoan) kare-urez nahastutako koloreak erabiliz egindako pintura da. Gisua margolariak egunean egin dezakeen lanaren arabera zabaltzen da, lehortuz gero gogortu egiten baita, eta hezea behar du izan koloreak xurgatu ditzan. Aireko karbono dioxidoak karearekin erreakzionatzean koloreak igeltsuan finkatzen ditu. Egiptoarrek, grekoek eta erromatarrek arrautza, Arabiako goma, lekeda eta argizaria erabiltzen zuten koloreak nahasteko.zaria erabiltzen zuten koloreak nahasteko. , La fresque est une technique particulière … La fresque est une technique particulière de peinture murale dont la réalisation s'opère sur un enduit appelé intonaco, avant qu'il ne soit sec. Le terme vient de l'italien affresco qui signifie « dans le frais ». Le fait de peindre sur un enduit qui n'a pas encore séché permet aux pigments de pénétrer dans la masse, et donc aux couleurs de durer plus longtemps qu'une simple peinture en surface sur un substrat. Son exécution nécessite une grande habileté, et se fait très rapidement, entre la pose de l'enduit et son séchage complet.a pose de l'enduit et son séchage complet. , Al fresco-målning, även affresco eller fre … Al fresco-målning, även affresco eller freskoteknik, är muralmålning utförd på färsk, fortfarande fuktig kalkputs. Termen al fresco kommer från italienskan, med samma betydelse, och direktöversätts till "på det färska". Dess motsats är al secco, eller seccoteknik, där kalkputsen först har fått härda, eller torka. Med freskotekniken kommer pigmentpartiklarna att omges av de kristaller som bildas av kalken när den härdar, vilket ger ett mer hållbart resultat än vid seccoteknik. Hållbarheten förutsätter dock att pigmenten är kalkäkta, det vill säga klarar av kalkens basiska miljö.vill säga klarar av kalkens basiska miljö. , Fresko adalah teknik melukis pada dinding … Fresko adalah teknik melukis pada dinding dengan menimpakan pigmen pada plaster dinding yang baru dilapisi. Kemudian definisi ini sedikit berubah karena Leonardo da Vinci memperkenalkan teknik baru dengan menimpakan pigmen warna kepada lapisan yang telah kering dengan sedikit modifikasi. Teknik fresko banyak dipakai pada masa Renaisans hingga Barok. dipakai pada masa Renaisans hingga Barok. , 프레스코(영어: fresco, 복수형 frescos 또는 frescoes)는 … 프레스코(영어: fresco, 복수형 frescos 또는 frescoes)는 'a fresco' (방금 회(灰)를 칠한 위에) 라는 이탈리아어에서 나온 낱말로서 르네상스와 바로크 시대에 많이 그려진 벽화를 일컫는다. 석회·석고 등으로 만든 석회벽의 건조가 채 되지 않은 덜 마른 벽면에 수용성 그림물감으로 채화(彩畵)하는 기법이다. 프레스코란 벽이 깨끗하게 도식(塗飾)되어 있어서 신선하다는 뜻으로, 영어의 프레시(fresh)도 그에 유래한다. 그림물감의 종류는 토질(土質)·광물질의 것으로 색수는 적다. 그림물감은 벽에 흡수되어, 벽이 마를 때 표면에 고착하므로 빛깔은 변색되지 않고 내구력이 있다. 다만 말라감에 따라 광택을 잃고 발색이 둔화되는데 거기에 프레스코 특유의 차분한 색조(色調)를 볼 수 있다. 르네상스 이후 벽면이나 천장화에 많이 쓰인다. 15세기-16세기 이탈리아에서 가장 발달하고 미켈란젤로의 시스티나 예배당의 천장화나 벽화, 라파엘로의 바티칸궁의 벽화 등이 프레스코 기법에 의한 대표적인 작품이다., 라파엘로의 바티칸궁의 벽화 등이 프레스코 기법에 의한 대표적인 작품이다. , Fresco (plural frescos or frescoes) is a t … Fresco (plural frescos or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word fresco (Italian: affresco) is derived from the Italian adjective fresco meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word fresco is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. the plaster technology or binding medium. , Η νωπογραφία ή φρεσκογραφία (Ιταλικά: Affr … Η νωπογραφία ή φρεσκογραφία (Ιταλικά: Affresco) είναι τεχνική για την δημιουργία τοιχογραφιών, με βάση την οποία τα χρώματα απλώνονται απευθείας σε νωπή επιφάνεια. Με τον τρόπο αυτό τα χρώματα διατηρούνται για πολύ μεγάλα χρονικά διαστήματα. Κοιτίδα της τεχνικής της νωπογραφίας θεωρείται η Μινωική Κρήτη. Πάντως, όλες οι αιγαιακές τοιχογραφίες της εποχής του Χαλκού ήταν νωπογραφίες, αν και σε κάποιες περιπτώσεις λεπτομέρειες είχαν προστεθεί αργότερα.εις λεπτομέρειες είχαν προστεθεί αργότερα. , Fresko (el la itala: al fresco, a fresco = … Fresko (el la itala: al fresco, a fresco = al freŝo)) estas pentraĵo per akvaj koloriloj sur freŝa stukaĵo de muro. La pentraĵo estas farita dum la stukaĵo estas ankoraŭ malseka, kaj stukaĵo kaj koloroj kune sekiĝos. Laŭ Francisko Azorín fresko estas Pentraĵo farita per koloriloj solvitaj en gluakvo sur freŝe kalkglatigita muro aŭ tolo. Li indikas etimologion el latina frigus (malvarma).s etimologion el latina frigus (malvarma). , تصوير جصي أو فريسكو، هو أحد أشكال الفن التي يتم من خلالها استخدام الجص كمادة لتمليط أو تجصيص سقف أو جدران بشكل فني. كلمة فريسكو جاءت من الكلمة الإيطالية affresco والتي تعني غض أو طري. , 濕壁畫（Fresco），原意是“新鮮”，是一種十分耐久的壁飾繪畫，泛指在鋪上灰泥的牆壁及天花板上繪畫的畫作，14－16世紀流行於義大利。 , Is teicníocht ársa chun péintéireacht a dh … Is teicníocht ársa chun péintéireacht a dhéanamh ar bhallaí é an freascó, a tugadh chun foirfeachta sa 14ú-16ú céad san Iodáil. Le linn an Renaissance, rinneadh freascó go leor i séipéil, i bpáláis agus i mainistreacha. Níl an freascó in úsáid ach go fíorannamh inniu. freascó in úsáid ach go fíorannamh inniu. , L'affresco è una tecnica di pittura murale eseguita sull'intonaco fresco di una parete: il colore ne è chimicamente incorporato e conservato per un tempo illimitato. , Fresk (z wł. fresco – świeży) – technika m … Fresk (z wł. fresco – świeży) – technika malarstwa ściennego polegająca na malowaniu na mokrym tynku farbami odpornymi na alkaliczne działanie zawartego w zaprawie wapna. Inne nazwy to al fresco i buon fresco. Potocznie jako fresk określa się wszelkie malowidła ścienne, wykonane różnymi technikami. W ścisłym rozumieniu nazwa fresk odnosi się jednak wyłącznie do tych, które zostały wykonane na mokrym tynku.h, które zostały wykonane na mokrym tynku. , O fresco, também conhecido como afresco em … O fresco, também conhecido como afresco em Português brasileiro, é uma obra pictórica feita sobre uma parede ou teto, com base de gesso ou argamassa. Assume frequentemente a forma de mural. A técnica é utilizada desde a antiguidade, estando intimamente relacionada com a pintura italiana renascentista.nada com a pintura italiana renascentista. , Die Fresko- oder Frischmalerei (italienisc … Die Fresko- oder Frischmalerei (italienisch a fresco, affresco, al fresco; deutsch „ins Frische“) ist eine Technik der Wandmalerei, bei der die zuvor in Wasser eingesumpften Pigmente auf den frischen Kalkputz aufgetragen werden. Bei der Carbonatisierung des Kalks werden die Pigmente stabil in den Putz eingebunden. Fachleute nennen diesen Vorgang auch Einsinterung. Das fertige Wand- oder Deckenbild wird das Fresko oder seltener die Freske genannt. Der ausführende Künstler wird als Freskenmaler oder Freskant bezeichnet.als Freskenmaler oder Freskant bezeichnet. , Фре́ска (от итал. fresco — свежий), аффрес … Фре́ска (от итал. fresco — свежий), аффреско (итал. affresco) — по сырой штукатурке, одна из техник стенных росписей, противоположность «альсекко» (росписи по сухому). При высыхании содержащаяся в штукатурке известь образует тонкую прозрачную кальцитную плёнку, делающую фреску долговечной. Выполняется художником-фрескистом.вечной. Выполняется художником-фрескистом. , Freska je nástěnná malba zhotovená na vlhk … Freska je nástěnná malba zhotovená na vlhké omítce. Název freska pochází z italského al fresco („na čerstvo“) – v protikladu k al secco („na sucho“). Technika malování fresek byla známa již ve starověku, používala se v Řecku a především v Itálii, ale také v Číně a Indii. Raně křesťanské umění a umění raného středověku dalo přednost mozaikám, takže umění fresky upadlo na dlouhou dobu téměř v zapomnění. K obnově došlo až koncem 13. století.ění. K obnově došlo až koncem 13. století. , Un fresc és una pintura realitzada sobre u … Un fresc és una pintura realitzada sobre una superfície coberta amb dues capes de morter de calç, la primera (arricio) de major gruix, amb calç apagada, sorra de riu i aigua, i la segona (intonaco) més fina formada per pols de marbre, calç apagada i aigua, sobre la qual es van aplicant els pigments, quan aquesta darrera capa encara està humida, i per jornades (giornatas).a està humida, i per jornades (giornatas). , フレスコ（英語: fresco、イタリア語: affresco）は、絵画技法のひとつ。この技法で描かれた壁画をフレスコ画と呼ぶ。西洋の壁画などに使われる。 , Een fresco (Italiaans voor "vers") is een … Een fresco (Italiaans voor "vers") is een muur- of plafondschildering waarbij de verf direct op de natte kalk wordt aangebracht, zodat zij daarmee, na droging, één geheel vormt. Het voordeel van fresco's is dat de pigmenten, die door de kalklaag geabsorbeerd worden, zeer duurzaam zijn. Het nadeel is dat latere correcties niet mogelijk zijn. Het werken met verf op verse natte kalk heet schilderen al fresco of in fresco. De vroegste vorm van fresco was te vinden op Kreta. Vandaaruit verspreidde de techniek zich onder meer naar het Oude Egypte.niek zich onder meer naar het Oude Egypte. , Фре́ска (від італ. fresco, дос. «свіжий») — живопис на вологій штукатурці, одна з технік настінного малярства, протилежна до "альсекко" (розпис по сухому). Робилися за допомогою сиру, шматків каменю, природних барвників та інших засобів. , Un fresco (del italiano affresco)​ es una … Un fresco (del italiano affresco)​ es una pintura realizada sobre una superficie cubierta con dos capas de mortero de cal, la primera (arricio) de mayor espesor, con cal apagada, arena de río y agua, y la segunda (intonaco) más fina formada por polvo de mármol, cal apagada y agua, sobre la que se van aplicando los pigmentos, cuando todavía esta última capa está húmeda, y por jornadas (giornate, al plural; giornata al singular), de ahí su nombre. Destacan las decoraciones de la Capilla Sixtina hechas por Michelangelo Buonarroti.ixtina hechas por Michelangelo Buonarroti.
rdfs:label Affresco , Freska , Fresk , Afresco , Fresco (schilderterm) , تصوير جصي , フレスコ , Νωπογραφία , Fresko , Pintura al fresc , Freascó , 濕壁畫 , Фреска , Fresco , Fresque , 프레스코 , Al fresco
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