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http://dbpedia.org/resource/Cinematic_style_of_Christopher_Nolan
http://dbpedia.org/ontology/abstract Christopher Nolan is a British-American fiChristopher Nolan is a British-American filmmaker known for using aesthetics, themes and cinematic techniques that are instantly recognisable in his work. Regarded as an auteur and postmodern filmmaker, Nolan is partial to elliptical editing, documentary-style lighting, hand-held camera work, natural settings, and real filming locations over studio work. Embedded narratives and crosscutting between different time frames is a major component of his work, and his films often feature experimental soundscapes and mathematically inspired images and concepts. Nolan prefers shooting on film to digital video and advocates for the use of higher-quality, larger-format film stock. He also favours practical effects over computer-generated imagery, and is a proponent of theatrical exhibition. His work explores existential and epistemological themes such as subjective experience, materialism, distortion of memory, human morality, the nature of time, causality, and the construction of personal identity. His characters are often emotionally disturbed, obsessive, and morally ambiguous, facing the fears and anxieties of loneliness, guilt, jealousy, and greed. Nolan also uses his real-life experiences as an inspiration in his work. His most prominent recurring theme is the concept of time; questions concerning the nature of existence and reality also play a major role in his body of work. Nolan's wife, Emma Thomas, has co-produced all of his features, and he has co-written several of his films with his younger brother, Jonathan Nolan. Other frequent collaborators include editor Lee Smith, cinematographers Wally Pfister and Hoyte van Hoytema, composer Hans Zimmer, sound designer Richard King, production designer Nathan Crowley, and casting director John Papsidera. Nolan's films feature many recurring actors, most notably Michael Caine, having appeared in eight (including a cameo in Dunkirk).d in eight (including a cameo in Dunkirk).
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http://dbpedia.org/property/quote As a director, I'm sort of a human lens through which everyone's efforts are focused. A big part of my job is making decisions about how all the great talent that I'm working with blends into a single consciousness , Films are subjective – what you like, whatFilms are subjective – what you like, what you don't like, but the thing for me that is absolutely unifying is the idea that every time I go to the cinema and pay my money and sit down and watch a film go up onscreen, I want to feel that the people who made that film think it's the best movie in the world, that they poured everything into it and they really love it. Whether or not I agree with what they've done, I want that effort there – I want that sincerity. And when you don't feel it, that's the only time I feel like I'm wasting my time at the movies.el like I'm wasting my time at the movies. , He has completed eleven features, [...] alHe has completed eleven features, [...] all ticking the boxes of studio entertainment, yet indelibly marked with the kind of personal themes and obsessions that are more traditionally the preserve of the art house: the passage of time, the failures of memory, our quirks of denial and deflection, the intimate clockwork of our interior lives, set against landscapes in which the fault lines of late industrialism meet the fissure points and paradoxes of the information age.ints and paradoxes of the information age.
http://dbpedia.org/property/source —Nolan, on sincerity and ambition in filmmaking. , —Tom Shone on Nolan being an auteur in Hollywood. , —Nolan on collaboration and leadership.
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rdfs:comment Christopher Nolan is a British-American fiChristopher Nolan is a British-American filmmaker known for using aesthetics, themes and cinematic techniques that are instantly recognisable in his work. Regarded as an auteur and postmodern filmmaker, Nolan is partial to elliptical editing, documentary-style lighting, hand-held camera work, natural settings, and real filming locations over studio work. Embedded narratives and crosscutting between different time frames is a major component of his work, and his films often feature experimental soundscapes and mathematically inspired images and concepts. Nolan prefers shooting on film to digital video and advocates for the use of higher-quality, larger-format film stock. He also favours practical effects over computer-generated imagery, and is a proponent of theatrical exhibition.d is a proponent of theatrical exhibition.
rdfs:label Cinematic style of Christopher Nolan
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