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Lo stendardo della Madonna della Misericor … Lo stendardo della Madonna della Misericordia è un dipinto a olio su tela (142x200 cm) del Moretto, databile al 1520-1522 e conservato nel Tempio Canoviano di Possagno. Lo stendardo si compone di due diverse tele, ravvicinate in modo da essere decorato su entrambi i lati: la Madonna della Misericordia e i Profeti Enoch e Elia. L'opera si colloca nell'ultima fase della produzione giovanile dell'autore, prima dei lavori che lo condurranno verso una formazione artistica più matura. Non è nota la destinazione iniziale ma, stando ai soggetti raffigurati, lo stendardo doveva essere probabilmente utilizzato da una confraternita religiosa, forse la stessa Confraternita della Madonna del Carmelo della chiesa di Santa Maria del Carmine a Brescia, dalla quale si è ipotizzato provenga la Madonna del Carmelo comprata nell'Ottocento assieme a queste due tele. Lo stendardo si trova oggi smembrato per poter esporre entrambi i fronti.brato per poter esporre entrambi i fronti.
, The Standard of Our Lady of Mercy is a 152 … The Standard of Our Lady of Mercy is a 1520-1522 oil on canvas painting by Moretto da Brescia, now in the Tempio Canoviano in Possagno. It is made up of two canvases, now separated one showing Our Lady of Mercy and the other shows The Prophets Enoch and Elijah. The work's original location is unknown, though its subjects' mean it was probably commissioned by a religious confraternity, possibly the Confraternity of the Virgin of Mount Carmel based at the church of Santa Maria del Carmine in Brescia. The standard first appears in the historical sources in 1820, when Antonio Canova acquired it and the same artist's Madonna of Mount Carmel from the Ottoboni family in Rome. In a letter written just after the acquisition, Canova attributed all three works to Pordenone and stated that they had originally come from near Pordenone. On Canova's death it was inherited by his stepbrother , who placed the standard's two panels in the Tempio Canoviano in Possagno, but sent 'Madonna of Mount Carmel to the Gallerie dell'Accademia in Venice, which in 1827 sent him two canvases by Jacopo Palma il Giovane in exchange. The three works' attribution to Pordenone survived until 1909, when Claudio Gamba noticed similarities between Madonna and Moretto's style, followed by Giuseppe Fiocco's definitive attribution of the standard and the Madonna to Moretto in 1921. Subsequent studies have attempted to place the works in Moretto's varied early oeuvre.he works in Moretto's varied early oeuvre.
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Our Lady of Mercy
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| rdfs:comment |
Lo stendardo della Madonna della Misericor … Lo stendardo della Madonna della Misericordia è un dipinto a olio su tela (142x200 cm) del Moretto, databile al 1520-1522 e conservato nel Tempio Canoviano di Possagno. Lo stendardo si compone di due diverse tele, ravvicinate in modo da essere decorato su entrambi i lati: la Madonna della Misericordia e i Profeti Enoch e Elia.lla Misericordia e i Profeti Enoch e Elia.
, The Standard of Our Lady of Mercy is a 152 … The Standard of Our Lady of Mercy is a 1520-1522 oil on canvas painting by Moretto da Brescia, now in the Tempio Canoviano in Possagno. It is made up of two canvases, now separated one showing Our Lady of Mercy and the other shows The Prophets Enoch and Elijah. The three works' attribution to Pordenone survived until 1909, when Claudio Gamba noticed similarities between Madonna and Moretto's style, followed by Giuseppe Fiocco's definitive attribution of the standard and the Madonna to Moretto in 1921. Subsequent studies have attempted to place the works in Moretto's varied early oeuvre.he works in Moretto's varied early oeuvre.
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Stendardo della Madonna della Misericordia
, Standard of Our Lady of Mercy
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