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In 1972 Ringasd el magad, the second album … In 1972 Ringasd el magad, the second album of Hungarian rock group Locomotiv GT was released. Its instrumentation was worked out and rehearsed in Budapest, the album was recorded at MHV Studios also in the Hungarian capital, whereas the running order was put together by the band at a restaurant on Oxford Street, London. Although the style of the band was basically the same, the sound and stylistic diversity of the songs show a considerable progress. While on Locomotiv GT they used electric instruments almost exclusively, the instrumentation of Ringasd el magad is much more complex. The songs reflect the influence of many genres. Because of the longer instrumental sections, the album opener "Cirkusz", "Kotta nélkül", and "Azt hittem" can be labelled as progressive rock. The long, distorted organ solo heard in "Kotta nélkül" makes the song the most reminiscent of that genre. "Lincoln fesztivál blues", "Megvárlak ma délben", and "Ringasd el magad" resemble to blues-rock. "Lincoln fesztivál blues", the first instrumental song of the group, was inspired by the , held in Lincoln, Lincolnshire, between 26 and 29 May 1972, where LGT was the only performer coming from the continent. The version of "Ringasd el magad" featured on the album is not the same as the one that opens the group’s next release, Bummm!; it is largely instrumental and barely longer than one minute. "A semmi kertje" is a seminal fusion of blues-rock and Japanese music. The softly sung verses are accompanied by vibraphone and bass; the choruses are louder, harder, and are accompanied by the whole band. The Japanese expression "mite kudasai", repeated at the end of each chorus, means "please, look" in English. The unusual sound is probably connected to the group’s performance at the World Popular Song Festival in Tokyo in 1971. The elegiac "Szerenád – szerelmemnek, ha lenne" is the first of Gábor Presser’s piano ballads that he would perform mostly alone. It has a lot in common with the songs "Arra mennék én" and "Ahogy mindenki" on the albums Mindig magasabbra and Locomotiv GT V., respectively. "A szerelem börtönében" and "Ne szédíts" are melodic pop rock songs. The country-spoof "Kakukkos karóra" is an interesting and unusual recording; it is all-acoustic (with the addition of a banjo), and disguised, with clapping, as a spontaneous live performance. Ringasd el magad was the last album of LGT to feature Károly Frenreisz as bassist. He would leave the band in January 1973, and form his own band that same year. Also in 1973, Ringasd el magad was issued in Czechoslovakia by Supraphon, CS Hifi Klub and the Hungarian MHV Pepita label. Its cover art was the same, but the song titles and other information were written in Czech. An unreleased version of the album includes a different take of the song Kotta nélkül, as well as an additional piano track in the song Azt hittem, which was omitted from the actual LP, and slightly extended versions of several other tracks. The black and white cover photograph is a manipulated image. The original picture ironically shows the two former Omega members, Presser and Laux standing next to each other on one side, and at some distance from them Barta standing next to Frenreisz.rom them Barta standing next to Frenreisz.
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In 1972 Ringasd el magad, the second album … In 1972 Ringasd el magad, the second album of Hungarian rock group Locomotiv GT was released. Its instrumentation was worked out and rehearsed in Budapest, the album was recorded at MHV Studios also in the Hungarian capital, whereas the running order was put together by the band at a restaurant on Oxford Street, London. Although the style of the band was basically the same, the sound and stylistic diversity of the songs show a considerable progress. While on Locomotiv GT they used electric instruments almost exclusively, the instrumentation of Ringasd el magad is much more complex. of Ringasd el magad is much more complex.
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Ringasd el magad
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