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Pietro Raimondi (* 20. Dezember 1786 in Rom; † 30. Oktober 1853 ebenda) war ein italienischer Komponist und Musikpädagoge.
, Pietro Raimondi (né le 20 décembre 1786 à … Pietro Raimondi (né le 20 décembre 1786 à Rome – mort dans la même ville le 30 octobre 1853) est un compositeur italien, faisant la transition entre l'époque classique et l'époque romantique. Il a composé des opéras et de la musique sacrée, mais il a été aussi un innovateur dans la technique contrapuntique et dans la création d'œuvres utilisant la technique de la simultanéité de plusieurs parties et rassemblant de grands effectifs.arties et rassemblant de grands effectifs.
, Пьетро Раймонди (итал. Pietro Raimondi; 20 декабря 1786 года, Рим, Папская область — 30 октября 1853 года, там же) — итальянский композитор, чьё творчество пришлось на время перехода от классицизма к романтизму в музыке, выдающийся контрапунктист.
, Pietro Raimondi (20. prosince 1786 Řím – 30. října 1853 tamtéž) byl italský hudební skladatel.
, Pietro Raimondi, född den 20 december 1786 … Pietro Raimondi, född den 20 december 1786 i Rom, död där den 30 oktober 1853, var en italiensk tonsättare. Raimondi utbildades i Neapel och framförde från 1807 sina operor i olika italienska städer. Han var 1824-33 direktör för och professor i kontrapunkt vid konservatoriet där samt 1832-50 vid konservatoriet i Palermo. Han blev 1852 kapellmästare vid Peterskyrkan i Rom. Raimondi skrev 62 operor och 21 baletter, förutom oratorier och en mängd kyrkliga verk, däribland en fullständig serie fyra-åttastämmiga psalmer i Palestrinastil (15 band). I sina körverk lade han an på att kombinera en mångfald stämmor; han skrev till och med en 64-stämmig fuga för 16 fyrstämmiga körer och nedlade dylika rön i kompositionen av tre bibliska dramer Potifar, Giuseppe och Giacobbe (1852). Wikimedia Commons har media relaterad till Pietro Raimondi. har media relaterad till Pietro Raimondi.
, Pietro Raimondi (Roma, 20 de diciembre de … Pietro Raimondi (Roma, 20 de diciembre de 1786 - Roma, 30 de octubre de 1853) fue un compositor italiano de música clásica, cuyo estilo es de transición entre el periodo clásico y romántico. Fue famoso en vida como autor de óperas y música sacra, además fue un innovador y compuso obras para grandes formaciones orquestales que interpretaban de forma simultánea varias composiciones.e forma simultánea varias composiciones.
, ピエトロ・ライモンディ（Pietro Raimondi, 1786年12月20日 ローマ – 1853年10月30日）は、古典派音楽からロマン派音楽への移行期に活動したイタリアの作曲家。当時においてはオペラや宗教音楽の作曲家として有名であったが、彼はまた対位法技術の革新者でもあり、巨大な音楽的同時性の創造でも知られる。
, Pietro Raimondi (December 20, 1786, Rome – … Pietro Raimondi (December 20, 1786, Rome – October 30, 1853) was an Italian composer, transitional between the Classical and Romantic eras. While he was famous at the time as a composer of operas and sacred music, he was also as an innovator in contrapuntal technique as well as in creation of gigantic musical simultaneities. Raimondi was born in Rome, and received his early education in Naples. He spent part of his early career in Genoa, and then in Sicily, where he had operas performed in Catania and Messina; however he moved back to Naples in 1820, and began a career as an opera composer there. While he was best known as an opera composer during this time, he was obsessed with counterpoint, and spent his spare time writing fugues for many voices, as well as simultaneous fugues in different keys and modes for multiple groups of different instruments. He considered this work to be experimental, and did not incorporate his experimentation, early in his career, into his operas. Few of Raimondi's operas were successful, and as soon as he realized he was being eclipsed by Rossini, and later by Bellini and Donizetti, he changed his compositional direction from production of operas to sacred music; in that domain he had a better opportunity to indulge his love of counterpoint. He published a counterpoint treatise in 1836, around the same time as the first of his experimental compositions for multiple choruses and orchestras; from this year forward he devoted most of his energies to such creations. However he had not forgotten his previous career as an operatic composer, and made a few last attempts to achieve a success on the operatic stage. One of the most spectacular of his experiments in musical simultaneity was his triple oratorio, Putifar-Giuseppe-Giacobbe (1848). This work was a set of three independent oratorios designed to be performed first consecutively, and then simultaneously, one of the few such experiments before the music of Charles Ives in the twentieth century. Unlike the music of Ives, however, Raimondi's musical language was conservative, even anachronistic, using only the tonal language of the eighteenth century. The parts of the oratorios were designed to fit together tightly, all obeying the standard rules of counterpoint. The triple oratorio was first performed in Rome in 1852, in a concert lasting six hours, and requiring 430 performers. According to the contemporary account, Raimondi was so overcome with the colossal sound of the three oratorios together at the end that he fainted, and the concert caused the sensation he had desired for so long. As a result of this success he was honored by the Pope, receiving from him the position of maestro di cappella at St. Peter's, a level of acknowledgement he had never achieved in the operatic realm. Raimondi followed the triple oratorio with the composition of a double opera, one serious and one comical, which like the triple oratorio was designed to be performed either consecutively or simultaneously. This work (Adelasia/I quattro rustici) was left incomplete at his death in 1853; however, much of the orchestration, counterpoint, and many of the scene changes had been worked out. As conceived, each opera would have served as a commentary on the other. This double opera has never been completed or staged, and along with Raimondi's other late music is an example of an experimental trend in the middle nineteenth century which was never followed up by anyone else. In his actual musical language, Raimondi was conservative, and his simultaneities work by following traditional rules of counterpoint, as well as by staying in a limited tonal universe. Raimondi makes a dramatic appearance in Michael Ayrton's satirical novel Tittivulus.chael Ayrton's satirical novel Tittivulus.
, Pietro Raimondi (Roma, 20 de dezembro de 1 … Pietro Raimondi (Roma, 20 de dezembro de 1786 - Roma, 30 de outubro de 1853) foi um compositor italiano, da época de transição entre o período clássico e o período romântico da história da música. Aluno do Conservatório de Turchini Pieta em Nápoles, estudou canto e acompanhamento, contraponto e composição. Foi aluno de . Após seis anos de estudos, voltou a Roma à procura de trabalho, mas as fracas condições económicas forçaram-no a mover-se para Florença e Génova, onde sua mãe morava. Na última cidade começou como mestre, professor e compositor, e escreveu uma ópera cómica: La Bizzarria d'amore (1807).ópera cómica: La Bizzarria d'amore (1807).
, Pietro Raimondi (Roma, 20 dicembre 1786 – Roma, 30 ottobre 1853) è stato un compositore italiano.
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Pietro Raimondi (Roma, 20 dicembre 1786 – Roma, 30 ottobre 1853) è stato un compositore italiano.
, Pietro Raimondi (Roma, 20 de dezembro de 1 … Pietro Raimondi (Roma, 20 de dezembro de 1786 - Roma, 30 de outubro de 1853) foi um compositor italiano, da época de transição entre o período clássico e o período romântico da história da música. Aluno do Conservatório de Turchini Pieta em Nápoles, estudou canto e acompanhamento, contraponto e composição. Foi aluno de ., contraponto e composição. Foi aluno de .
, Пьетро Раймонди (итал. Pietro Raimondi; 20 декабря 1786 года, Рим, Папская область — 30 октября 1853 года, там же) — итальянский композитор, чьё творчество пришлось на время перехода от классицизма к романтизму в музыке, выдающийся контрапунктист.
, Pietro Raimondi (Roma, 20 de diciembre de … Pietro Raimondi (Roma, 20 de diciembre de 1786 - Roma, 30 de octubre de 1853) fue un compositor italiano de música clásica, cuyo estilo es de transición entre el periodo clásico y romántico. Fue famoso en vida como autor de óperas y música sacra, además fue un innovador y compuso obras para grandes formaciones orquestales que interpretaban de forma simultánea varias composiciones.e forma simultánea varias composiciones.
, Pietro Raimondi, född den 20 december 1786 … Pietro Raimondi, född den 20 december 1786 i Rom, död där den 30 oktober 1853, var en italiensk tonsättare. Raimondi utbildades i Neapel och framförde från 1807 sina operor i olika italienska städer. Han var 1824-33 direktör för och professor i kontrapunkt vid konservatoriet där samt 1832-50 vid konservatoriet i Palermo. Han blev 1852 kapellmästare vid Peterskyrkan i Rom. Wikimedia Commons har media relaterad till Pietro Raimondi. har media relaterad till Pietro Raimondi.
, Pietro Raimondi (né le 20 décembre 1786 à … Pietro Raimondi (né le 20 décembre 1786 à Rome – mort dans la même ville le 30 octobre 1853) est un compositeur italien, faisant la transition entre l'époque classique et l'époque romantique. Il a composé des opéras et de la musique sacrée, mais il a été aussi un innovateur dans la technique contrapuntique et dans la création d'œuvres utilisant la technique de la simultanéité de plusieurs parties et rassemblant de grands effectifs.arties et rassemblant de grands effectifs.
, Pietro Raimondi (December 20, 1786, Rome – … Pietro Raimondi (December 20, 1786, Rome – October 30, 1853) was an Italian composer, transitional between the Classical and Romantic eras. While he was famous at the time as a composer of operas and sacred music, he was also as an innovator in contrapuntal technique as well as in creation of gigantic musical simultaneities. In his actual musical language, Raimondi was conservative, and his simultaneities work by following traditional rules of counterpoint, as well as by staying in a limited tonal universe. Raimondi makes a dramatic appearance in Michael Ayrton's satirical novel Tittivulus.chael Ayrton's satirical novel Tittivulus.
, ピエトロ・ライモンディ（Pietro Raimondi, 1786年12月20日 ローマ – 1853年10月30日）は、古典派音楽からロマン派音楽への移行期に活動したイタリアの作曲家。当時においてはオペラや宗教音楽の作曲家として有名であったが、彼はまた対位法技術の革新者でもあり、巨大な音楽的同時性の創造でも知られる。
, Pietro Raimondi (* 20. Dezember 1786 in Rom; † 30. Oktober 1853 ebenda) war ein italienischer Komponist und Musikpädagoge.
, Pietro Raimondi (20. prosince 1786 Řím – 30. října 1853 tamtéž) byl italský hudební skladatel.
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