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The music for the role-playing video game … The music for the role-playing video game series Ni no Kuni, developed by Level-5 and published in Western regions by Bandai Namco Entertainment, is primarily composed by Joe Hisaishi and performed by the Tokyo Philharmonic Orchestra. Hisaishi, known for his previous work on Studio Ghibli films, agreed to work on the games after witnessing the development team's passion for the project. He aimed to make the music reflect the fantasy genre, creating a compatibility between the soundtracks and the game worlds. An album titled Ni no Kuni: Shikkoku no Madoushi Original Soundtrack was released in Japan in February 2011, featuring music from Ni no Kuni: Dominion of the Dark Djinn. A two-disc soundtrack was later released in March 2013; the first disc is a re-release of the Japanese soundtrack, while the second disc contains additional tracks from Ni no Kuni: Wrath of the White Witch. Critical reception to the soundtracks have been positive, as reviewers felt that the music for the first two games connected appropriately with the gameplay, with critics stating that Hisaishi's contributions matched the art style by Studio Ghibli. Hisaishi would later return to compose for Ni no Kuni II: Revenant Kingdom, with its soundtrack releasing in June 2018.ith its soundtrack releasing in June 2018.
, La música de la serie de videojuegos de ro … La música de la serie de videojuegos de rol Ni no Kuni, desarrollada por Level-5 y publicada en las regiones occidentales por Bandai Namco Entertainment, está compuesta principalmente por Joe Hisaishi e interpretada por la . Hisaishi, conocido por su trabajo anterior en películas de Studio Ghibli, aceptó trabajar en los juegos después de ser testigo de la pasión del equipo de desarrollo por el proyecto. Su objetivo era hacer que la música reflejara el género de fantasía, creando una compatibilidad entre las bandas sonoras y los mundos del juego. Un álbum titulado Ni no Kuni: Shikkoku no Madoushi Original Soundtrack fue lanzado en Japón en febrero de 2011, con música de . Más tarde se lanzó una banda sonora de dos discos en marzo de 2013; el primer disco es un relanzamiento de la banda sonora japonesa, mientras que el segundo disco contiene pistas adicionales de . La recepción crítica de las bandas sonoras ha sido positiva, ya que los críticos sintieron que la música de los dos primeros juegos se conectaba adecuadamente con la jugabilidad, y los críticos afirmaron que las contribuciones de Hisaishi coincidían con el estilo artístico de Studio Ghibli. Hisaishi luego volvería a componer para Ni no Kuni II: Revenant Kingdom, con su banda sonora lanzada en junio de 2018. su banda sonora lanzada en junio de 2018.
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"Kokoro no Kakera", the game's main theme, was composed by Joe Hisaishi and performed by his daughter Mai Fujisawa. Chorister Archie Buchanan performed the English version of the theme.
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Ni no Kuni: Dominion of the Dark Djinn – Main Theme
, Ni no Kuni: Wrath of the White Witch – Main Theme
, In Loving Memory of Allie
, Painful Memories
, Arie ~Recollection~
, Ding Dong Dell -The Cat King's Castle-
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The music for the role-playing video game … The music for the role-playing video game series Ni no Kuni, developed by Level-5 and published in Western regions by Bandai Namco Entertainment, is primarily composed by Joe Hisaishi and performed by the Tokyo Philharmonic Orchestra. Hisaishi, known for his previous work on Studio Ghibli films, agreed to work on the games after witnessing the development team's passion for the project. He aimed to make the music reflect the fantasy genre, creating a compatibility between the soundtracks and the game worlds.tween the soundtracks and the game worlds.
, La música de la serie de videojuegos de ro … La música de la serie de videojuegos de rol Ni no Kuni, desarrollada por Level-5 y publicada en las regiones occidentales por Bandai Namco Entertainment, está compuesta principalmente por Joe Hisaishi e interpretada por la . Hisaishi, conocido por su trabajo anterior en películas de Studio Ghibli, aceptó trabajar en los juegos después de ser testigo de la pasión del equipo de desarrollo por el proyecto. Su objetivo era hacer que la música reflejara el género de fantasía, creando una compatibilidad entre las bandas sonoras y los mundos del juego.las bandas sonoras y los mundos del juego.
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, Music of Ni no Kuni
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