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La Maison de verre (casa di vetro) è un ed … La Maison de verre (casa di vetro) è un edificio di Parigi costruito dal 1928 al 1932. Realizzato secondo lo stile architettonico del primo modernismo, il design ha enfatizzato tre tratti primari: la povertà dei materiali, la trasparenza variabile delle forme e la giustapposizione di materiali e infissi "industriali" con uno stile di arredamento più tradizionale. I materiali primari utilizzati furono l' acciaio, il vetro e il mattone di vetro. Alcuni dei notevoli elementi "industriali" includevano piastrelle per pavimenti gommate, travi in acciaio nudo, lamiera perforata, lampade industriali pesanti e dispositivi meccanici. Il design uscì da una collaborazione tra Pierre Chareau (designer di mobili e interni), Bernard Bijvoet (architetto olandese che lavorava a Parigi dal 1927) e Louis Dalbet (artigiano metalmeccanico). Gran parte dell'intricato scenario in movimento dell'edificio venne progettato in loco durante lo sviluppo della costruzione. Lo storico Henry-Russel Hitchcock e la designer Eileen Gray hanno dichiarato che l'architetto era in realtà "quell'ingegnoso ingegnere olandese (Bijvoet)" (Gray). La forma esterna è definita da pareti in blocchi di vetro traslucidi, con aree selezionate di vetri trasparenti. Internamente, la suddivisione spaziale è variabile mediante l'utilizzo di schermi scorrevoli, pieghevoli o rotanti in vetro, lamiera o lamiera forata, o in combinazione. Altri componenti meccanici includevano un carrello sopraelevato dalla cucina alla sala da pranzo, una scala retrattile dal soggiorno privato alla camera da letto di Madame Dalsace e complessi armadi e accessori per il bagno. Il programma della casa era alquanto insolito in quanto includeva uno studio medico al piano terra per il dottor Jean Dalsace. Questo modello di circolazione variabile era garantito da uno schermo rotante che nascondeva le scale private dai pazienti durante il giorno, ma incorniciava le scale di notte. La casa si distingueva per la sua splendida architettura, ma potrebbe essere più nota per un altro motivo. Fu costruita sul sito di un edificio molto più antico che il committente aveva acquistato e intendeva demolire. Con suo grande dispiacere, tuttavia, l'anziano proprietario dell'ultimo piano dell'edificio si rifiutò assolutamente di vendere, e così il committente fu obbligato a demolire completamente i tre piani inferiori dell'edificio e costruire in essi la Maison de verre, il tutto senza disturbare l'ultimo piano della costruzione. Il dottor Dalsace era un membro del Partito Comunista Francese che aveva svolto un ruolo significativo sia negli affari antifascisti che in quelli culturali. A metà degli anni 1930, la "salle de séjour" a doppia altezza della Maison de verre fu trasformata in un salotto frequentato regolarmente da intellettuali marxisti come Walter Benjamin, nonché da poeti e artisti surrealisti come Louis Aragon, Paul Éluard, Pablo Picasso, Max Ernst, Jacques Lipchitz, Jean Cocteau, Yves Tanguy, Joan Miró e Max Jacob. Secondo la storica dell'arte statunitense, Maria Gough, la Maison de verre ebbe una forte influenza su Walter Benjamin, soprattutto sulla sua lettura costruttivista, più che espressionista, del progetto utopico di Paul Scheerbart per una futura "cultura del vetro", per un "nuovo ambiente di vetro [che] trasformerà completamente l'umanità", come quest'ultimo lo espresse nel suo trattato Glass Architecture del 1914. Si veda in particolare il saggio di Benjamin del 1933 Erfahrung und Armut ("Esperienza e povertà"). Lo storico dell'architettura americano Robert Rubin ha acquistato la casa dalla famiglia Dalsace nel 2006 per restaurarla e utilizzarla come residenza di famiglia e permette un numero limitato di visite alla casa.te un numero limitato di visite alla casa.
, La « maison de verre » est un projet archi … La « maison de verre » est un projet architectural réalisé entre 1928 et 1931 par l'architecte-décorateur Pierre Chareau, l'architecte Bernard Bijvoet et l'artisan ferronnier Louis Dalbet. Elle est située au 31, rue Saint-Guillaume dans le 7e arrondissement de Paris, et fut une commande du docteur Jean Dalsace, gynécologue et promoteur de la planification familiale.t promoteur de la planification familiale.
, Das Maison de Verre (franz.: Glashaus) ist … Das Maison de Verre (franz.: Glashaus) ist ein Wohnhaus in Paris. Es liegt im 7. Arrondissement, Nr. 31, Rue Saint-Guillaume. Geplant wurde das dreigeschossige Stadthaus als Praxis und Wohnhaus von Pierre Chareau in Zusammenarbeit mit dem niederländischen Architekten Bernard Bijvoet und dem Kunstschmied Louis Dalbet für den Gynäkologen Jean Dalsace. Es wurde von 1928 bis 1931 erbaut. Seit 2005 ist die Maison de verre im Besitz des US-amerikanischen Geschäftsmanns , der von Zeit zu Zeit eine Besichtigung des Hauses zulässt.Zeit eine Besichtigung des Hauses zulässt.
, The Maison de Verre (French for House of G … The Maison de Verre (French for House of Glass) was built from 1928 to 1932 in Paris, France. Constructed in the early modern style of architecture, the house's design emphasized three primary traits: honesty of materials, variable transparency of forms, and juxtaposition of "industrial" materials and fixtures with a more traditional style of home décor. The primary materials used were steel, glass, and glass block. Some of the notable "industrial" elements included rubberized floor tiles, bare steel beams, perforated metal sheet, heavy industrial light fixtures, and mechanical fixtures. The design was a collaboration among Pierre Chareau (a furniture and interiors designer), Bernard Bijvoet (a Dutch architect working in Paris since 1927) and Louis Dalbet (craftsman metalworker). Much of the intricate moving scenery of the house was designed on site as the project developed. The historian Henry-Russel Hitchcock as well as the designer Eileen Gray have declared that the architect was in fact 'that clever Dutch engineer (Bijvoet)'(Gray). The external form is defined by translucent glass block walls, with select areas of clear glazing for transparency. Internally, spatial division is variable by the use of sliding, folding or rotating screens in glass, sheet or perforated metal, or in combination. Other mechanical components included an overhead trolley from the kitchen to dining room, a retracting stair from the private sitting room to Mme Dalsace's bedroom and complex bathroom cupboards and fittings. The program of the home was somewhat unusual in that it included a ground-floor medical suite for Dr. Jean Dalsace. This variable circulation pattern was provided for by a rotating screen that hid the private stairs from patients during the day but framed the stairs at night. The house is notable for its splendid architecture, but it may be more well known for another reason. It was built on the site of a much older building that the patron had purchased and intended to demolish. Much to his or her chagrin, however, the elderly tenant on the top floor of the building absolutely refused to sell, and so the patron was obliged to completely demolish the bottom three floors of the building and construct the Maison de Verre underneath, all without disturbing the original top floor. Dr. Dalsace was a member of the French Communist Party who played a significant role in both anti-fascist and cultural affairs. In the mid-1930s, the Maison de Verre's double-height "salle de séjour" was transformed into a salon regularly frequented by Marxist intellectuals like Walter Benjamin as well as by Surrealist poets and artists such as Louis Aragon, Paul Éluard, Pablo Picasso, Max Ernst, Jacques Lipchitz, Jean Cocteau, Yves Tanguy, Joan Miró and Max Jacob. According to the American art historian Maria Gough, the Maison de Verre had a powerful influence on Walter Benjamin, especially on his constructivist - rather than expressionist - reading of Paul Scheerbart's utopian project for a future "culture of glass", for a "new glass environment [which] will completely transform mankind," as the latter expressed it in his 1914 treatise Glass Architecture. See in particular Benjamin's 1933 essay Erfahrung und Armut ("Experience and Poverty"). American architectural historian Robert Rubin bought the house from Dalsace family in 2006 to restore it and use it for his family residence. He allows a limited number of tours to the house.ws a limited number of tours to the house.
, 玻璃屋（法語：Maison de Verre）是位於法國巴黎的一個建築，修建於1928年至1932年。玻璃屋是一座早期現代主義建築，使用的主要材料是鋼、玻璃和。玻璃屋的設計者是，他是一位家具和室內設計師。美國建築史學家Robert Rubin在2006年購買了玻璃屋，並作為自己家庭的住宅使用，他允許有限的觀光客參觀這座建築。
, Maison de verre (česky Skleněný dům) je obytný dům v Paříži. Dům v soukromém vlastnictví se nachází na adrese Rue Saint-Guillaume č. 31 v 7. obvodu. Stavba je od roku 1982 chráněná jako historická památka.
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La Maison de verre (casa di vetro) è un ed … La Maison de verre (casa di vetro) è un edificio di Parigi costruito dal 1928 al 1932. Realizzato secondo lo stile architettonico del primo modernismo, il design ha enfatizzato tre tratti primari: la povertà dei materiali, la trasparenza variabile delle forme e la giustapposizione di materiali e infissi "industriali" con uno stile di arredamento più tradizionale. I materiali primari utilizzati furono l' acciaio, il vetro e il mattone di vetro. Alcuni dei notevoli elementi "industriali" includevano piastrelle per pavimenti gommate, travi in acciaio nudo, lamiera perforata, lampade industriali pesanti e dispositivi meccanici.dustriali pesanti e dispositivi meccanici.
, Maison de verre (česky Skleněný dům) je obytný dům v Paříži. Dům v soukromém vlastnictví se nachází na adrese Rue Saint-Guillaume č. 31 v 7. obvodu. Stavba je od roku 1982 chráněná jako historická památka.
, The Maison de Verre (French for House of G … The Maison de Verre (French for House of Glass) was built from 1928 to 1932 in Paris, France. Constructed in the early modern style of architecture, the house's design emphasized three primary traits: honesty of materials, variable transparency of forms, and juxtaposition of "industrial" materials and fixtures with a more traditional style of home décor. The primary materials used were steel, glass, and glass block. Some of the notable "industrial" elements included rubberized floor tiles, bare steel beams, perforated metal sheet, heavy industrial light fixtures, and mechanical fixtures.l light fixtures, and mechanical fixtures.
, Das Maison de Verre (franz.: Glashaus) ist … Das Maison de Verre (franz.: Glashaus) ist ein Wohnhaus in Paris. Es liegt im 7. Arrondissement, Nr. 31, Rue Saint-Guillaume. Geplant wurde das dreigeschossige Stadthaus als Praxis und Wohnhaus von Pierre Chareau in Zusammenarbeit mit dem niederländischen Architekten Bernard Bijvoet und dem Kunstschmied Louis Dalbet für den Gynäkologen Jean Dalsace. Es wurde von 1928 bis 1931 erbaut. Seit 2005 ist die Maison de verre im Besitz des US-amerikanischen Geschäftsmanns , der von Zeit zu Zeit eine Besichtigung des Hauses zulässt.Zeit eine Besichtigung des Hauses zulässt.
, 玻璃屋（法語：Maison de Verre）是位於法國巴黎的一個建築，修建於1928年至1932年。玻璃屋是一座早期現代主義建築，使用的主要材料是鋼、玻璃和。玻璃屋的設計者是，他是一位家具和室內設計師。美國建築史學家Robert Rubin在2006年購買了玻璃屋，並作為自己家庭的住宅使用，他允許有限的觀光客參觀這座建築。
, La « maison de verre » est un projet archi … La « maison de verre » est un projet architectural réalisé entre 1928 et 1931 par l'architecte-décorateur Pierre Chareau, l'architecte Bernard Bijvoet et l'artisan ferronnier Louis Dalbet. Elle est située au 31, rue Saint-Guillaume dans le 7e arrondissement de Paris, et fut une commande du docteur Jean Dalsace, gynécologue et promoteur de la planification familiale.t promoteur de la planification familiale.
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玻璃屋 (法国)
, Maison de verre
, Maison de Verre
, Maison de verre (Pierre Chareau)
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