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The royal Lion Hunt of Ashurbanipal is sho … The royal Lion Hunt of Ashurbanipal is shown on a famous group of Assyrian palace reliefs from the North Palace of Nineveh that are now displayed in room 10a of the British Museum. They are widely regarded as "the supreme masterpieces of Assyrian art". They show a formalized ritual "hunt" by King Ashurbanipal (reigned 669–631 BC) in an arena, where captured Asian lions were released from cages for the king to slaughter with arrows, spears, or his sword. They were made about 645–635 BC, and originally formed different sequences placed around the palace. They would probably originally have been painted, and formed part of a brightly coloured overall decor. The slabs or orthostats from the North Palace were excavated by Hormuzd Rassam in 1852–54, and William Loftus in 1854–55 and most were sent back to the British Museum, where they have been favourites with the general public and art historians alike ever since. The realism of the lions has always been praised, although the pathos modern viewers tend to feel was perhaps not part of the Assyrian response. The human figures are mostly seen in formal poses in profile, especially the king in his several appearances, but the lions are in a great variety of poses, alive, dying, and dead. The carvings come from late in the period of some 250 years over which Assyrian palace reliefs were made, and show the style at its most developed and finest, before decline set in. Ashurbanipal was the last great Assyrian king, and after his reign ended the Neo-Assyrian Empire descended into a period of poorly-recorded civil war between his descendants, generals and rebelling parts of the empire. By 612, perhaps as little as 25 years after these were made, the empire had fallen apart and Nineveh been sacked and burnt.n apart and Nineveh been sacked and burnt.
, La cosiddetta Caccia al leone di Assurbani … La cosiddetta Caccia al leone di Assurbanipal è una famosa opera d'arte assira composta da un gruppo di rilievi, originariamente collocati nel "Palazzo Nord" di Ninive e ora esposti nella Sala 10a del British Museum, considerati nel loro insieme uno dei capolavori della produzione artistica di questo popolo mesopotamico. Le sculture mostrano diverse scene di una caccia organizzata all'interno di un'arena nella quale il re Assurbanipal (regno 668-631 a.C.) massacra con frecce, lancia o spada dei leoni aizzati contro di lui dai servitori. Questo gruppo scultoreo fu realizzato tra il 645 e il 635 a.C. e disposto in diverse zone del palazzo imperiale. Probabilmente, in origine i rilievi erano dipinti e concorrevano al generale arredamento a colori vivaci del complesso palaziale. Le lastre o ortostati del Palazzo Nord furono scavati da Hormuzd Rassam nel 1852-54 e da William Loftus nel 1854-55 e la maggior parte fu inviata al British Museum ove sono stati sin da allora apprezzati dal pubblico quanto dagli storici dell'arte. Il realismo dei leoni è sempre stato elogiato, anche se il pathos che gli spettatori moderni tendono a sentire forse non faceva parte della risposta psicologica assira all'opera. Le figure umane sono per lo più viste in pose formali, di profilo (spec. il re che ricorre in tutte le scene) mentre i leoni sono raffigurati in una grande varietà di pose, vivi, morenti e morti. Le incisioni risalgono all'ultimo periodo di produzione dell'arte assira e, nella fattispecie, al termine dei 250 anni di produzione che videro la realizzazione dei rilievi dei palazzi reali assiri, e ne mostrano la forma più raffinata. Assurbanipal fu infatti l'ultimo grande re assiro e dopo la fine del suo regno l'impero neo-assiro collassò in una spirale di guerre civili e invasioni straniere. Nel 612 a.C., forse appena 25 anni dopo la creazione della Caccia al leone, l'impero era caduto a pezzi e Ninive fu saccheggiata e bruciata.pezzi e Ninive fu saccheggiata e bruciata.
, يظهر الأسد الضخم وآشور بانيبال في مجموعة م … يظهر الأسد الضخم وآشور بانيبال في مجموعة مشهورة في القصور الآشورية من القصر الشمالي في نينوى والتي يتم عرضها الآن في الغرفة (10 a) من المتحف البريطاني. تعتبر على نطاق واسع من «روائع الفن الآشوري العليا». يظهرون بـ «مطاردة» طقسية رسمية من قبل الملك آشوربانيبال (حكم 668 - 631/627 ق.م) في ساحة، حيث تم إطلاق أسود آسيوية تم أسرها من أقفاص للملك لذبحها بالسهام أو الرماح أو بسيفه. وقد صنعوا حوالي 645-635 قبل الميلاد، وشكلوا في الأصل سلاسل مختلفة موضوعة حول القصر. ومن المحتمل أن يكونوا قد رسموا أصلاً، وشكلوا جزءاً من ديكور شامل بألوان زاهية.، وشكلوا جزءاً من ديكور شامل بألوان زاهية.
, La "Cacería de leones de Asurbanipal" es u … La "Cacería de leones de Asurbanipal" es una famosa obra del arte asirio compuesta por un grupo de bajorrelieves, originariamente ubicados en el "Palacio Norte" de Nínive y ahora expuestos en la Sala 10 del Museo Británico, considerados en conjunto una de las obras maestras de la producción artística de este pueblo mesopotámico. Los relieves muestran diversas escenas de una cacería ritual organizada en el interior de un espacio acotado en la cual el rey Asurbanipal (reinado, 668-631 a. C.) masacra con flechas, lanza o espada a los leones azuzados contra él por asistentes y servidores. Este grupo escultórico fue realizado entre el 645 y el 635 a. C. y dispuesto en diversas zonas del palacio imperial. Originalmente, los relieves estaban pintados y contribuían con sus vivos colores a la decoración palaciega. Las losas o ortostatos del Palacio Norte fueron excavados por Hormuzd Rassam en 1852-54 y William Loftus en 1854-55 y la mayor parte fue enviada al British Museum donde desde entonces han sido muy apreciados tanto por el público como por los historiadores del arte. El realismo de los leones ha sido siempre elogiado, aunque la compasión ante los animales malheridos que los espectadores modernos tienden a sentir quizás no formaba parte de la respuesta psicológica asiria a la obra. Entre los primeros espectadores victorianos llevó a crear un arquetipo de los soberanos asirios como crueles y despiadados. Las figuras humanas se ven principalmente en poses formales, de perfil (especialmente el rey que aparece en todas las escenas) mientras los leones son representados en una gran variedad de posturas, vivos, moribundos y muertos. Las grabados se remontan al último periodo de producción del arte asirio y, en este caso, ponen fin a 250 años de producción que vieron la realización de los relieves de los palacios reales asirios, y muestran la forma más refinada. Asurbanipal fue de hecho el último gran rey asirio y tras su muerte, el imperio neoasirio colapsó en una espiral de guerras civiles e invasiones extranjeras. En 612 a. C., unos 25 años después de la creación de la Cacería de leones, el imperio se derrumbó y Nínive fue saqueada, quemada y abandonada.Nínive fue saqueada, quemada y abandonada.
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La "Cacería de leones de Asurbanipal" es u … La "Cacería de leones de Asurbanipal" es una famosa obra del arte asirio compuesta por un grupo de bajorrelieves, originariamente ubicados en el "Palacio Norte" de Nínive y ahora expuestos en la Sala 10 del Museo Británico, considerados en conjunto una de las obras maestras de la producción artística de este pueblo mesopotámico. Los relieves muestran diversas escenas de una cacería ritual organizada en el interior de un espacio acotado en la cual el rey Asurbanipal (reinado, 668-631 a. C.) masacra con flechas, lanza o espada a los leones azuzados contra él por asistentes y servidores. Este grupo escultórico fue realizado entre el 645 y el 635 a. C. y dispuesto en diversas zonas del palacio imperial. Originalmente, los relieves estaban pintados y contribuían con sus vivos colores a la decorntribuían con sus vivos colores a la decor
, The royal Lion Hunt of Ashurbanipal is sho … The royal Lion Hunt of Ashurbanipal is shown on a famous group of Assyrian palace reliefs from the North Palace of Nineveh that are now displayed in room 10a of the British Museum. They are widely regarded as "the supreme masterpieces of Assyrian art". They show a formalized ritual "hunt" by King Ashurbanipal (reigned 669–631 BC) in an arena, where captured Asian lions were released from cages for the king to slaughter with arrows, spears, or his sword. They were made about 645–635 BC, and originally formed different sequences placed around the palace. They would probably originally have been painted, and formed part of a brightly coloured overall decor.part of a brightly coloured overall decor.
, يظهر الأسد الضخم وآشور بانيبال في مجموعة م … يظهر الأسد الضخم وآشور بانيبال في مجموعة مشهورة في القصور الآشورية من القصر الشمالي في نينوى والتي يتم عرضها الآن في الغرفة (10 a) من المتحف البريطاني. تعتبر على نطاق واسع من «روائع الفن الآشوري العليا». يظهرون بـ «مطاردة» طقسية رسمية من قبل الملك آشوربانيبال (حكم 668 - 631/627 ق.م) في ساحة، حيث تم إطلاق أسود آسيوية تم أسرها من أقفاص للملك لذبحها بالسهام أو الرماح أو بسيفه. وقد صنعوا حوالي 645-635 قبل الميلاد، وشكلوا في الأصل سلاسل مختلفة موضوعة حول القصر. ومن المحتمل أن يكونوا قد رسموا أصلاً، وشكلوا جزءاً من ديكور شامل بألوان زاهية.، وشكلوا جزءاً من ديكور شامل بألوان زاهية.
, La cosiddetta Caccia al leone di Assurbani … La cosiddetta Caccia al leone di Assurbanipal è una famosa opera d'arte assira composta da un gruppo di rilievi, originariamente collocati nel "Palazzo Nord" di Ninive e ora esposti nella Sala 10a del British Museum, considerati nel loro insieme uno dei capolavori della produzione artistica di questo popolo mesopotamico. Le sculture mostrano diverse scene di una caccia organizzata all'interno di un'arena nella quale il re Assurbanipal (regno 668-631 a.C.) massacra con frecce, lancia o spada dei leoni aizzati contro di lui dai servitori. Questo gruppo scultoreo fu realizzato tra il 645 e il 635 a.C. e disposto in diverse zone del palazzo imperiale. Probabilmente, in origine i rilievi erano dipinti e concorrevano al generale arredamento a colori vivaci del complesso palaziale.o a colori vivaci del complesso palaziale.
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أسد مهاجم من آشوربانيبال
, Caccia al leone di Assurbanipal
, Lion Hunt of Ashurbanipal
, Cacería de leones de Asurbanipal
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