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Joyce J. Scott (born 1948) is an African-A … Joyce J. Scott (born 1948) is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditions, Mexican, Czech, and Russian beadwork, illustration and comic books, and pop culture. Scott is renowned for her social commentary on issues such as racism, classism, sexism, violence, and cultural stereotypes, as well as themes of spiritual healing. Her work is about how Scott sees herself in a rapidly changing world: "These works are about personal growth, personal epiphanies and how not to get stuck in the easy ways of life- about art I am fairly fearless but in everyday life I am not."y fearless but in everyday life I am not."
, جويس جاي. سكوت (بالإنجليزية: Joyce J. Scot … جويس جاي. سكوت (بالإنجليزية: Joyce J. Scott) (مواليد 1948) فنانة أمريكية من أُصُول أفريقية، ونحَّاتة، وصانعة لُحُف، وفنانة أداء، وفنانة تنصيبية، وفنانة طباعة، ومُحاضِرة، ومعلمة. حصلت على زمالة مَكارثر عام 2016، وعلى جائزة الفنان ذو البصيرة من مؤسسة سميثسونيان عام 2019، غير أن أكثر ما يميزها هي منحوتاتها التشخيصية ومجوهراتها المصنوعة باستخدام أشكال حرة، تقنيات نسج الخرز من دون النَول، تشبه تقنية غرز بيوت. وغالباً ما يتم صنع كل قطعة باستخدام آلاف من خرز المُهر أو خرز البُذور الزجاجي، وأحياناً باستخدام أشياء أو مواد أُخرى متاحة مثل الزجاج، واللُحُف والجلود. وفي عام 2018، تمَّ الإشادة بها لبدئها بالعمل في وسط جديد –خليط من التربة، والطين، والقش والإسمنت - لصناعة منحوتة كان الهدف منها التحلل والعودة إلى الأرض. تستمد سكوت إلهامها من مجموعة من الثقافات المختلفة والمتنوعة، المشتملة على التقاليد الأفريقية والأمريكية الأصلية، والزخرفة الخرزية الروسية، والتشيكية والمكسيكية، وكذلك الكتب التوضيحية وكتب القصص المصورة، والثقافة الشعبية. تشتهر سكوت بأحاديثها الاجتماعية عن قضايا مثل العنصرية، والطبقية، والتمييز على أساس الجنس، والعنف، والصور النمطية الثقافية، وكذلك المواضيع المتعلقة بالشفاء الروحي. ويتمحور عملها عن كيفية رؤية سكوت لنفسها في عالم يحكمه التغير السريع: «تُعبر هذه الأعمال عن النمو الشخصي، ولحظات الوحي الشخصية وعن كيفية عدم الوقوع في أساليب الحياة السهلة - تظهر جسارتي في الفن ولكنها تختفي في الحياة اليومية».ي في الفن ولكنها تختفي في الحياة اليومية».
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Joyce J. Scott (born 1948) is an African-A … Joyce J. Scott (born 1948) is an African-American artist, sculptor, quilter, performance artist, installation artist, print-maker, lecturer and educator. Named a MacArthur Fellow in 2016, and a Smithsonian Visionary Artist in 2019, Scott is best known for her figurative sculptures and jewelry using free form, off-loom beadweaving techniques, similar to a peyote stitch. Each piece is often constructed using thousands of glass seed beads or pony beads, and sometimes other found objects or materials such as glass, quilting and leather. In 2018, she was hailed for working in new medium — a mixture of soil, clay, straw, and cement — for a sculpture meant to disintegrate and return to the earth. Scott is influenced by a variety of diverse cultures, including Native American and African traditionding Native American and African tradition
, جويس جاي. سكوت (بالإنجليزية: Joyce J. Scot … جويس جاي. سكوت (بالإنجليزية: Joyce J. Scott) (مواليد 1948) فنانة أمريكية من أُصُول أفريقية، ونحَّاتة، وصانعة لُحُف، وفنانة أداء، وفنانة تنصيبية، وفنانة طباعة، ومُحاضِرة، ومعلمة. حصلت على زمالة مَكارثر عام 2016، وعلى جائزة الفنان ذو البصيرة من مؤسسة سميثسونيان عام 2019، غير أن أكثر ما يميزها هي منحوتاتها التشخيصية ومجوهراتها المصنوعة باستخدام أشكال حرة، تقنيات نسج الخرز من دون النَول، تشبه تقنية غرز بيوت. وغالباً ما يتم صنع كل قطعة باستخدام آلاف من خرز المُهر أو خرز البُذور الزجاجي، وأحياناً باستخدام أشياء أو مواد أُخرى متاحة مثل الزجاج، واللُحُف والجلود. وفي عام 2018، تمَّ الإشادة بها لبدئها بالعمل في وسط جديد –خليط من التربة، والطين، والقش والإسمنت - لصناعة منحوتة كان الهدف منها التحلل والعودة إلى الأرض. تستمد سكوت إلهامها من مجموعة من الثقافات المختلفة والمتنوعة، المشتملة على التقاليد المختلفة والمتنوعة، المشتملة على التقاليد ا
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, جويس جاي. سكوت
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