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L'appellation céramique d'Iznik désigne le … L'appellation céramique d'Iznik désigne les productions réalisées à partir du milieu du XVe siècle dans la ville d'İznik (anciennement Nicée) en Turquie. Ce n'est qu'à partir des années 1950 que les historiens de l'art ont attribué les nombreuses pièces céramiques, conservées dans les collections publiques et privées, à la production d'Iznik. Jusqu'alors prévalaient d'autres dénominations pour caractériser cette production : « céramiques ottomanes », « céramiques de Rhodes » ou « faïences de Lindos ».ues de Rhodes » ou « faïences de Lindos ».
, İznik-Keramik ist die Bezeichnung für die … İznik-Keramik ist die Bezeichnung für die zwischen dem 15. und 17. Jahrhundert in der westanatolischen Stadt İznik hergestellte glasierte Töpferware. Durch erhebliche Förderung durch den osmanischen Hof und die Inspiration durch chinesisches Porzellan im Blau-Weiß-Stil, das in großen Mengen eingeführt wurde, wurde sie bald im gesamten Osmanischen Reich und darüber hinaus bekannt und geschätzt. Im 16. Jahrhundert wurde die Farbpalette der zunächst monochrom gehaltenen Keramik um ein blasses Violett, Türkis und Salbeigrün, später durch das charakteristische Bolus-Rot und ein smaragdfarbenes Grün ergänzt. Als Baudekor wurden İznik-Fliesen nun in zahlreichen Gebäuden zur Verkleidung der Wände eingesetzt, darunter in über vierzig Moscheen allein in Istanbul, etwa in der Rüstem-Pascha- und in der Sultan-Ahmed-Moschee, zur Außenverkleidung des unter Süleyman I. restaurierten Felsendoms in Jerusalem, aber auch in Palästen und Mausoleen, vor allem im Beschneidungssalon des Topkapi-Serails. Bedingt durch den Vorbildcharakter der osmanischen Baukunst wurden mit Fliesen verkleidete Innenräume auch auf dem Balkan, in Ägypten und im Maghreb ausgesprochen populär. Im 17. Jahrhundert setzte bedingt durch gestiegenen Preisdruck, mangelnde Förderung seitens des Herrscherhauses und das Ausbleiben neuer Bauaufträge der Niedergang der Produktion ein. Die östlich von İznik gelegene Stadt Kütahya wurde daraufhin zum neuen Zentrum der Keramikherstellung in Kleinasien.trum der Keramikherstellung in Kleinasien.
, İznik-keramiek is keramiek afkomstig uit d … İznik-keramiek is keramiek afkomstig uit de stad İznik in Turkije, die voor de tijd van het Ottomaanse Rijk de naam Nicaea droeg. De keramische kunst in de stad bereikte haar hoogtepunt in de 16e en 17e eeuw. Vooral bekend zijn de İznik-tegels, beschilderde tegels die veel Osmaanse gebouwen in Turkije en andere gebieden die tot het Osmaanse Rijk behoorden sieren. Ook andere vormen van keramiek, zoals serviezen en vazen werden in İznik geproduceerd. Het gebied produceert ook glas.roduceerd. Het gebied produceert ook glas.
, Iznik pottery, or Iznik ware, named after … Iznik pottery, or Iznik ware, named after the town of İznik in western Anatolia where it was made, is a decorated ceramic that was produced from the last quarter of the 15th century until the end of the 17th century. İznik was an established centre for the production of simple earthenware pottery with an underglaze decoration when, in the last quarter of the 15th century, craftsmen in the town began to manufacture high quality pottery with a fritware body painted with cobalt blue under a colourless transparent lead glaze. The designs combined traditional Ottoman arabesque patterns with Chinese elements. The change was almost certainly a result of active intervention and patronage by the recently established Ottoman court in Istanbul who greatly valued Chinese blue-and-white porcelain. During the 16th century the decoration of the pottery gradually changed in style, becoming looser and more flowing. Additional colours were introduced. Initially turquoise was combined with the dark shade of cobalt blue and then the pastel shades of sage green and pale purple were added. From the middle of the century the potters in Iznik produced large quantities of underglazed tiles to decorate the imperial buildings designed by the architect Mimar Sinan. Associated with the production of tiles was the introduction of a very characteristic bole red to replace the purple and a bright emerald green to replace the sage green. From the last decade of the century there was a marked deterioration in quality and although production continued during the 17th century the designs were poor. The last important building to be decorated with tiles from Iznik was the Sultan Ahmed Mosque (Blue Mosque) in Istanbul that was completed in 1616. The ceramic collection of the Topkapi Palace includes over ten thousand pieces of Chinese porcelain but almost no Iznik pottery. Most of the surviving Iznik vessels are in museums outside Turkey, but examples of the city's tile production exist in numerous cities throughout Turkey, such as İstanbul, Bursa, Edirne and Adana. In Istanbul examples of Iznik tiling can be seen in mosques, tombs, libraries, and palace buildings, such as the Rüstem Pasha Mosque, the Sokollu Mehmet Pasha Mosque, the tomb of Selim II in the Hagia Sophia complex, and certain buildings of the Topkapı Palace complex such as the Circumcision room and the Baghdad Kiosk.e Circumcision room and the Baghdad Kiosk.
, La ceramica di İznik, che prende il nome dalla città omonima, sita a ovest dell'Anatolia, dove veniva fabbricata, è una ceramica di grande pregio che veniva prodotta fra il tardo XV e il XVII secolo.
, Керамика Изника (тур. İznik çinisi) — вид декоративно-прикладного искусства, связанный с производством широкого спектра художественных и утилитарных керамических изделий в турецком городе Изник (преимущественно османского периода).
, Tembikar İznik, yang mengambil nama dari s … Tembikar İznik, yang mengambil nama dari sebuah kota di barat Anatolia dimana tembikar tersebut dibuat, adalah sebuah keramik yang didekorasi yang dibuat dari seperempat akhir abad ke-15 sampai akhir abad ke-17. meliputi lebih dari sepuluh ribu karya porselen Tiongkok namun tidak ada satupun tembikar İznik. Sebagian tembikar İznik yang masih ada berada di museum-museum di luar Turki, tetapi contoh tempat penghasil ubin dari kota tersebut masih ada di sejumlah kota di belahan Turki, seperti İstanbul, Bursa, Edirne, Adana, dan Diyarbakır. Di Istanbul sendiri, contoh pengubinan İznik dapat dilihat di sekitar 40 bangunan masjid, pemakaman, perpustakaan, dan istana, seperti Masjid Rüstem Pasha, , di kompleks Hagia Sophiad Rüstem Pasha, , di kompleks Hagia Sophia
, Кераміка Ізніка — вид декоративно-ужиткового мистецтва, пов'язаний із виробництвом широкого спектра художніх та утилітарних керамічних виробів у турецькому місті Ізнік (переважно османського періоду).
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Right: Fritware dish with grape design, Iznik, Turkey, 1550–1570.
, Left: Ming dynasty porcelain dish with grape design, Jingdezhen, China, 1403–1424.
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Stone paste dish Iznik Turkey 1550 1570.JPG
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Tembikar İznik, yang mengambil nama dari sebuah kota di barat Anatolia dimana tembikar tersebut dibuat, adalah sebuah keramik yang didekorasi yang dibuat dari seperempat akhir abad ke-15 sampai akhir abad ke-17.
, La ceramica di İznik, che prende il nome dalla città omonima, sita a ovest dell'Anatolia, dove veniva fabbricata, è una ceramica di grande pregio che veniva prodotta fra il tardo XV e il XVII secolo.
, Кераміка Ізніка — вид декоративно-ужиткового мистецтва, пов'язаний із виробництвом широкого спектра художніх та утилітарних керамічних виробів у турецькому місті Ізнік (переважно османського періоду).
, L'appellation céramique d'Iznik désigne le … L'appellation céramique d'Iznik désigne les productions réalisées à partir du milieu du XVe siècle dans la ville d'İznik (anciennement Nicée) en Turquie. Ce n'est qu'à partir des années 1950 que les historiens de l'art ont attribué les nombreuses pièces céramiques, conservées dans les collections publiques et privées, à la production d'Iznik. Jusqu'alors prévalaient d'autres dénominations pour caractériser cette production : « céramiques ottomanes », « céramiques de Rhodes » ou « faïences de Lindos ».ues de Rhodes » ou « faïences de Lindos ».
, Iznik pottery, or Iznik ware, named after the town of İznik in western Anatolia where it was made, is a decorated ceramic that was produced from the last quarter of the 15th century until the end of the 17th century.
, Керамика Изника (тур. İznik çinisi) — вид декоративно-прикладного искусства, связанный с производством широкого спектра художественных и утилитарных керамических изделий в турецком городе Изник (преимущественно османского периода).
, İznik-keramiek is keramiek afkomstig uit d … İznik-keramiek is keramiek afkomstig uit de stad İznik in Turkije, die voor de tijd van het Ottomaanse Rijk de naam Nicaea droeg. De keramische kunst in de stad bereikte haar hoogtepunt in de 16e en 17e eeuw. Vooral bekend zijn de İznik-tegels, beschilderde tegels die veel Osmaanse gebouwen in Turkije en andere gebieden die tot het Osmaanse Rijk behoorden sieren. Ook andere vormen van keramiek, zoals serviezen en vazen werden in İznik geproduceerd. Het gebied produceert ook glas.roduceerd. Het gebied produceert ook glas.
, İznik-Keramik ist die Bezeichnung für die … İznik-Keramik ist die Bezeichnung für die zwischen dem 15. und 17. Jahrhundert in der westanatolischen Stadt İznik hergestellte glasierte Töpferware. Durch erhebliche Förderung durch den osmanischen Hof und die Inspiration durch chinesisches Porzellan im Blau-Weiß-Stil, das in großen Mengen eingeführt wurde, wurde sie bald im gesamten Osmanischen Reich und darüber hinaus bekannt und geschätzt. und darüber hinaus bekannt und geschätzt.
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| rdfs:label |
Céramique d'Iznik
, Ceramica di İznik
, Tembikar İznik
, Iznik pottery
, Изникская керамика
, Кераміка Ізніка
, İznik-keramiek
, İznik-Keramik
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