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Industry and Idleness (« Industrie et oisi … Industry and Idleness (« Industrie et oisiveté ») est une série de douze estampes créées par William Hogarth en 1747, dans le but d'illustrer aux enfants travailleurs les récompenses possibles du travail ardu et de leur application diligente, ainsi que les désastres évidents qui accompagnent leur absence. Contrairement à ses séries précédentes, telles que A Harlot's Progress (1731) et Marriage A-la-Mode (1743), qui sont d'abord peintes puis adaptées en gravures, Industry and Idleness est créée uniquement une série d'estampes. Vendues bon marché, on peut supposer que ces tirages visaient un marché plus vaste et moins riche que ses œuvres antérieures. Les originaux se trouvent actuellement au British Museum.e trouvent actuellement au British Museum.
, Industry and Idleness is the title of a se … Industry and Idleness is the title of a series of 12 plot-linked engravings created by William Hogarth in 1747, intending to illustrate to working children the possible rewards of hard work and diligent application and the sure disasters attending a lack of both. Unlike his earlier works, such as A Harlot's Progress (1731) and Marriage à-la-mode (1743), which were painted first and subsequently converted to engravings, Industry and Idleness was created solely as a set of engravings. Each of the prints was sold for 1/– each so 12/– for the entire set, which is equivalent in purchasing power to approximately £80 STG as of 2005. It may be assumed that these prints were aimed for a wider and less wealthy market than his earlier works. The originals currently reside at the British Museum.ls currently reside at the British Museum.
, Industry and Idleness (en español: Industr … Industry and Idleness (en español: Industria y ociosidad) es el título de una serie de doce grabados creados por William Hogarth en 1747, el entorno de todos ellos está relacionado y tienen la intención de enseñar a los niños que trabajan las posibles recompensas de la dedicación y el trabajo duro y los seguros desastres que acompañan a la carencia de ambos. A diferencia de sus obras anteriores, A Harlot's Progress (1731) y Marriage à-la-mode (1743), que fueron pintados primero y posteriormente convertidos en grabados, Industry and Idleness fue creada exclusivamente como una serie de grabados. Cada una de las impresiones fue vendida por 1 chelín, siendo un total de 12 por el conjunto, que equivale, en poder adquisitivo, aproximadamente a 80 libras esterlinas a partir de 2005. Se cree que estas impresiones estaban dirigidas a un mercado más amplio y menos pudiente que sus trabajos anteriores. Los originales residen actualmente en el Museo Británico.residen actualmente en el Museo Británico.
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Industry and Idleness (« Industrie et oisi … Industry and Idleness (« Industrie et oisiveté ») est une série de douze estampes créées par William Hogarth en 1747, dans le but d'illustrer aux enfants travailleurs les récompenses possibles du travail ardu et de leur application diligente, ainsi que les désastres évidents qui accompagnent leur absence.es évidents qui accompagnent leur absence.
, Industry and Idleness (en español: Industr … Industry and Idleness (en español: Industria y ociosidad) es el título de una serie de doce grabados creados por William Hogarth en 1747, el entorno de todos ellos está relacionado y tienen la intención de enseñar a los niños que trabajan las posibles recompensas de la dedicación y el trabajo duro y los seguros desastres que acompañan a la carencia de ambos. A diferencia de sus obras anteriores, A Harlot's Progress (1731) y Marriage à-la-mode (1743), que fueron pintados primero y posteriormente convertidos en grabados, Industry and Idleness fue creada exclusivamente como una serie de grabados. Cada una de las impresiones fue vendida por 1 chelín, siendo un total de 12 por el conjunto, que equivale, en poder adquisitivo, aproximadamente a 80 libras esterlinas a partir de 2005. Se cree qus esterlinas a partir de 2005. Se cree qu
, Industry and Idleness is the title of a se … Industry and Idleness is the title of a series of 12 plot-linked engravings created by William Hogarth in 1747, intending to illustrate to working children the possible rewards of hard work and diligent application and the sure disasters attending a lack of both. Unlike his earlier works, such as A Harlot's Progress (1731) and Marriage à-la-mode (1743), which were painted first and subsequently converted to engravings, Industry and Idleness was created solely as a set of engravings. Each of the prints was sold for 1/– each so 12/– for the entire set, which is equivalent in purchasing power to approximately £80 STG as of 2005. It may be assumed that these prints were aimed for a wider and less wealthy market than his earlier works. The originals currently reside at the British Museum.ls currently reside at the British Museum.
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Industry and Idleness
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