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Ascanio Mayone (Napels, 1570? – 1627) was … Ascanio Mayone (Napels, 1570? – 1627) was een Italiaans componist en leerling van (ook Giovanni de Macque). Hij was vanaf 1593 organist in de Santissima Annunziata te Napels, vanaf 1621 bovendien 'maestro di cappella'. Daarnaast was hij sinds 1602 organist in de koninklijke kapel van de Spaanse onderkoning, Fernando Ruiz de Castro, de graaf van Lemos. Mayone componeerde madrigalen, waarvan het eerste boek in 1590 verscheen, speelde harp, maar heeft zijn bekendheid met name te danken aan zijn klavierwerken, de Primo Libro di diversi Capricci per sonare (1603) en de Secondo Libro uit 1609. Deze verzamelingen bevatten , canzona's, toccata's en partita's.atten , canzona's, toccata's en partita's.
, Ascanio Maione (ou Mayone) (né vers 1570 à Naples et mort en 1627) est un musicien et compositeur italien.
, Асканио Майо́не (Majone, Maione, Mayone; ок. 1570, Неаполь — 9 марта 1627, там же) — итальянский композитор, органист, арфист.
, Ascanio Mayone (* um 1570 in Neapel, Königreich Neapel; † 9. März 1627 ebenda) war ein neapolitanischer Komponist, Organist und Harfenist.
, Ascanio Mayone (Nàpols, 1570 (Gregorià) - … Ascanio Mayone (Nàpols, 1570 (Gregorià) - Nàpols, 9 de març de 1627) fou un compositor i arpista napolità. Es va formar com a alumne de a Nàpols i hi va treballar a "Santissima Annunziata Maggiore" com a organista des del 1593 i mestre de capella del 1621; També fou organista a la capella real des de 1602. Va publicar madrigals, però la seva obra principal són els seus dos volums de música de teclat, Capricci per sonar (1603, 1609). Aquests contenen canzones, tocates, variacions i arranjaments de peces vocals, moltes de les quals són distintivament barroques i no d'estil renaixentistes.ent barroques i no d'estil renaixentistes.
, Ascanio Mayone (ca. 1565 – 1627) was a Nea … Ascanio Mayone (ca. 1565 – 1627) was a Neapolitan composer and harpist. He trained as a pupil of Giovanni de Macque in Naples, and worked at Santissima Annunziata Maggiore there as organist from 1593 and maestro di cappella from 1621; he was also organist at the royal chapel from 1602. He published madrigals, but his main work is his two volumes of keyboard music, Capricci per sonar (1603, 1609). These contain canzonas, toccatas, variations, and arrangements of vocal pieces, many of which are distinctively Baroque rather than Renaissance in style. Baroque rather than Renaissance in style.
, Ascanio Mayone (... – 1627) è stato un com … Ascanio Mayone (... – 1627) è stato un compositore italiano. Fu allievo di Giovanni de Macque e fu attivo presso la Santissima Annunziata, prima come organista (dal 1593) e poi come maestro di cappella (dal 1621); fu anche organista presso la cappella reale (dal 1602). Pubblicò numerosi madrigali, ma il lavoro principale che ci ha lasciato è uno scritto in due volumi sulla musica per strumenti con tastiera: Capricci per sonar (1603, 1609). Questi contengono canzoni, toccate, variazioni e arrangiamenti di pezzi vocali, molti dei quali tipicamente barocchi, piuttosto che in stile del XVI secolo.hi, piuttosto che in stile del XVI secolo.
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Ascanio Mayone (ca. 1565 – 1627) was a Nea … Ascanio Mayone (ca. 1565 – 1627) was a Neapolitan composer and harpist. He trained as a pupil of Giovanni de Macque in Naples, and worked at Santissima Annunziata Maggiore there as organist from 1593 and maestro di cappella from 1621; he was also organist at the royal chapel from 1602. He published madrigals, but his main work is his two volumes of keyboard music, Capricci per sonar (1603, 1609). These contain canzonas, toccatas, variations, and arrangements of vocal pieces, many of which are distinctively Baroque rather than Renaissance in style. Baroque rather than Renaissance in style.
, Ascanio Mayone (Napels, 1570? – 1627) was … Ascanio Mayone (Napels, 1570? – 1627) was een Italiaans componist en leerling van (ook Giovanni de Macque). Hij was vanaf 1593 organist in de Santissima Annunziata te Napels, vanaf 1621 bovendien 'maestro di cappella'. Daarnaast was hij sinds 1602 organist in de koninklijke kapel van de Spaanse onderkoning, Fernando Ruiz de Castro, de graaf van Lemos. Mayone componeerde madrigalen, waarvan het eerste boek in 1590 verscheen, speelde harp, maar heeft zijn bekendheid met name te danken aan zijn klavierwerken, de Primo Libro di diversi Capricci per sonare (1603) en de Secondo Libro uit 1609. Deze verzamelingen bevatten , canzona's, toccata's en partita's.atten , canzona's, toccata's en partita's.
, Ascanio Mayone (Nàpols, 1570 (Gregorià) - … Ascanio Mayone (Nàpols, 1570 (Gregorià) - Nàpols, 9 de març de 1627) fou un compositor i arpista napolità. Es va formar com a alumne de a Nàpols i hi va treballar a "Santissima Annunziata Maggiore" com a organista des del 1593 i mestre de capella del 1621; També fou organista a la capella real des de 1602. Va publicar madrigals, però la seva obra principal són els seus dos volums de música de teclat, Capricci per sonar (1603, 1609). Aquests contenen canzones, tocates, variacions i arranjaments de peces vocals, moltes de les quals són distintivament barroques i no d'estil renaixentistes.ent barroques i no d'estil renaixentistes.
, Асканио Майо́не (Majone, Maione, Mayone; ок. 1570, Неаполь — 9 марта 1627, там же) — итальянский композитор, органист, арфист.
, Ascanio Maione (ou Mayone) (né vers 1570 à Naples et mort en 1627) est un musicien et compositeur italien.
, Ascanio Mayone (* um 1570 in Neapel, Königreich Neapel; † 9. März 1627 ebenda) war ein neapolitanischer Komponist, Organist und Harfenist.
, Ascanio Mayone (... – 1627) è stato un com … Ascanio Mayone (... – 1627) è stato un compositore italiano. Fu allievo di Giovanni de Macque e fu attivo presso la Santissima Annunziata, prima come organista (dal 1593) e poi come maestro di cappella (dal 1621); fu anche organista presso la cappella reale (dal 1602). Pubblicò numerosi madrigali, ma il lavoro principale che ci ha lasciato è uno scritto in due volumi sulla musica per strumenti con tastiera: Capricci per sonar (1603, 1609). Questi contengono canzoni, toccate, variazioni e arrangiamenti di pezzi vocali, molti dei quali tipicamente barocchi, piuttosto che in stile del XVI secolo.hi, piuttosto che in stile del XVI secolo.
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Ascanio Maione
, Ascanio Mayone
, Майоне, Асканио
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