| http://dbpedia.org/ontology/abstract
|
31平均律（英: 31 equal temperament）は、31-tET, 31-EDO, 31-ET, とも略称され、オクターブを31段の等間隔なステップ（等しい周波数比）に分割することにより得られる音律である。各ステップは周波数比、または 1200/31 ≈ 38.70967742 セントである。
, In music, 31 equal temperament, 31-ET, whi … In music, 31 equal temperament, 31-ET, which can also be abbreviated 31-TET (31 tone ET) or 31-EDO (equal division of the octave), also known as tricesimoprimal, is the tempered scale derived by dividing the octave into 31 equal-sized steps (equal frequency ratios). Each step represents a frequency ratio of 31√2, or 38.71 cents. 31-ET is a very good approximation of quarter-comma meantone temperament. More generally, it is a regular diatonic tuning in which the tempered perfect fifth is equal to 696.77 cents, as shown in Figure 1. On an isomorphic keyboard, the fingering of music composed in 31-ET is precisely the same as it is in any other syntonic tuning (such as 12-ET), so long as the notes are spelled properly — that is, with no assumption of enharmonicity.t is, with no assumption of enharmonicity.
, Dans la théorie de la musique occidentale, … Dans la théorie de la musique occidentale, un tempérament par division multiple consiste en une division de l’octave en plus de douze intervalles élémentaires de même taille. Lorsqu'il y a douze intervalles, on parle de tempérament égal. Parce que les tempéraments concernent les instruments à sons fixes (les autres pouvant adapter leurs hauteurs en fonction du contexte) et que ceux-ci souvent à douze degrés, les tempéraments multiples sont généralement des vues théoriques, permettant d'approximer les intervalles justes ou tempérés d'autres systèmes de tempérament. Quelques instruments à plus de douze degrés dans l'octave ont néanmoins été construits, certains pour être accordés en tempérament multiple ; il en sera question ci-dessous.multiple ; il en sera question ci-dessous.
, De 31-toonsverdeling in de muziek is de ve … De 31-toonsverdeling in de muziek is de verdeling van het octaaf in 31 gelijke verhoudingen. Deze verdeling is geïntroduceerd door Christiaan Huygens, die de middentoonstemming als voorbeeld nam, maar daar het liefst een evenredige toonsverdeling van wilde maken. In een evenredige toonsverdeling kan namelijk naar believen gemoduleerd worden, zonder dat intervallen in de ene toonladder goed en in de andere anders of zelfs vals klinken. Net als de gangbare stemming is het systeem van Huygens dan ook een gelijkzwevende stemming.ygens dan ook een gelijkzwevende stemming.
|
| http://dbpedia.org/ontology/thumbnail
|
http://commons.wikimedia.org/wiki/Special:FilePath/Rank-2_temperaments_with_the_generator_close_to_a_fifth_and_period_an_octave.jpg?width=300 +
|
| http://dbpedia.org/ontology/wikiPageExternalLink
|
http://www.huygens-fokker.org/ +
, http://www.huygens-fokker.org/docs/fokkerorg.html +
, http://www.huygens-fokker.org/docs/rap31.html +
, http://www.huygens-fokker.org/docs/terp31.html +
, http://www.itcsra.org/frontiers_research.htm +
, https://web.archive.org/web/20090215045859/http:/www.patriziobarbieri.it/1.htm +
, http://31et.com/ +
|
| http://dbpedia.org/ontology/wikiPageID
|
3582753
|
| http://dbpedia.org/ontology/wikiPageLength
|
30781
|
| http://dbpedia.org/ontology/wikiPageRevisionID
|
1098605863
|
| http://dbpedia.org/ontology/wikiPageWikiLink
|
http://dbpedia.org/resource/Musical_tuning +
, http://dbpedia.org/resource/Diesis +
, http://dbpedia.org/resource/Octave +
, http://dbpedia.org/resource/Major_third +
, http://dbpedia.org/resource/File:31-TET_circle_of_fifths.png +
, http://dbpedia.org/resource/File:Cmaj7_Gmin_31ET_12ET.ogg +
, http://dbpedia.org/resource/E_major +
, http://dbpedia.org/resource/File:Simple_I-IV-V-I_isomorphic_31-TET.png +
, http://dbpedia.org/resource/File:Csub_Cmin_Cmaj_Csup.ogg +
, http://dbpedia.org/resource/Music_theory +
, http://dbpedia.org/resource/Orwell_temperament +
, http://dbpedia.org/resource/Supermajor_interval +
, http://dbpedia.org/resource/Perfect_fifth +
, http://dbpedia.org/resource/Semitone +
, http://dbpedia.org/resource/Just_intonation +
, http://dbpedia.org/resource/C-sharp_major +
, http://dbpedia.org/resource/F-sharp_major +
, http://dbpedia.org/resource/Septimal_whole_tone +
, http://dbpedia.org/resource/Major_second +
, http://dbpedia.org/resource/B_major +
, http://dbpedia.org/resource/Muziekgebouw_aan_%27t_IJ +
, http://dbpedia.org/resource/A_major +
, http://dbpedia.org/resource/Cent_%28music%29 +
, http://dbpedia.org/resource/Harmonic +
, http://dbpedia.org/resource/Haarlem +
, http://dbpedia.org/resource/Septimal_meantone_temperament +
, http://dbpedia.org/resource/Quarter-comma_meantone +
, http://dbpedia.org/resource/C_major +
, http://dbpedia.org/resource/Neutral_second +
, http://dbpedia.org/resource/Category:Equal_temperaments +
, http://dbpedia.org/resource/Perfect_fourth +
, http://dbpedia.org/resource/Diminished_fourth +
, http://dbpedia.org/resource/Limit_%28music%29 +
, http://dbpedia.org/resource/Dominant_seventh +
, http://dbpedia.org/resource/Lesser_diesis +
, http://dbpedia.org/resource/Quarter_tone +
, http://dbpedia.org/resource/Syntonic_comma +
, http://dbpedia.org/resource/Harmonic_seventh +
, http://dbpedia.org/resource/Whole_tone +
, http://dbpedia.org/resource/Meantone_temperament +
, http://dbpedia.org/resource/Minor_tone +
, http://dbpedia.org/resource/Chromatic_semitone +
, http://dbpedia.org/resource/Septimal_minor_third +
, http://dbpedia.org/resource/Minor_seventh +
, http://dbpedia.org/resource/Nicola_Vicentino +
, http://dbpedia.org/resource/Tritone +
, http://dbpedia.org/resource/Enharmonic +
, http://dbpedia.org/resource/Archicembalo +
, http://dbpedia.org/resource/Minor_third +
, http://dbpedia.org/resource/Category:Microtonality +
, http://dbpedia.org/resource/Diatonic_semitone +
, http://dbpedia.org/resource/Adriaan_Fokker +
, http://dbpedia.org/resource/Septimal_chromatic_semitone +
, http://dbpedia.org/resource/Septimal_diatonic_semitone +
, http://dbpedia.org/resource/Lemme_Rossi +
, http://dbpedia.org/resource/Septimal_diesis +
, http://dbpedia.org/resource/Septimal_major_third +
, http://dbpedia.org/resource/Subminor_interval +
, http://dbpedia.org/resource/Christiaan_Huygens +
, http://dbpedia.org/resource/19_equal_temperament +
, http://dbpedia.org/resource/Regular_diatonic_tuning +
, http://dbpedia.org/resource/File:Rank-2_temperaments_with_the_generator_close_to_a_fifth_and_period_an_octave.jpg +
, http://dbpedia.org/resource/D_major +
, http://dbpedia.org/resource/Joel_Mandelbaum +
, http://dbpedia.org/resource/Major_tone +
, http://dbpedia.org/resource/Isomorphic_keyboard +
, http://dbpedia.org/resource/Equal_division_of_the_octave +
, http://dbpedia.org/resource/12_equal_temperament +
, http://dbpedia.org/resource/Septimal_tritone +
, http://dbpedia.org/resource/Musical_temperament +
, http://dbpedia.org/resource/Neutral_third +
, http://dbpedia.org/resource/Frequency +
, http://dbpedia.org/resource/G_major +
, http://dbpedia.org/resource/Harmonic_seventh_chord +
, http://dbpedia.org/resource/Teyler%27s_Museum +
|
| http://dbpedia.org/property/wikiPageUsesTemplate
|
http://dbpedia.org/resource/Template:0 +
, http://dbpedia.org/resource/Template:Musical_tuning +
, http://dbpedia.org/resource/Template:Music +
, http://dbpedia.org/resource/Template:Clear +
, http://dbpedia.org/resource/Template:Radic +
, http://dbpedia.org/resource/Template:Audio +
, http://dbpedia.org/resource/Template:Microtonal_music +
|
| http://purl.org/dc/terms/subject
|
http://dbpedia.org/resource/Category:Equal_temperaments +
, http://dbpedia.org/resource/Category:Microtonality +
|
| http://purl.org/linguistics/gold/hypernym
|
http://dbpedia.org/resource/Scale +
|
| http://www.w3.org/ns/prov#wasDerivedFrom
|
http://en.wikipedia.org/wiki/31_equal_temperament?oldid=1098605863&ns=0 +
|
| http://xmlns.com/foaf/0.1/depiction
|
http://commons.wikimedia.org/wiki/Special:FilePath/Simple_I-IV-V-I_isomorphic_31-TET.png +
, http://commons.wikimedia.org/wiki/Special:FilePath/31-TET_circle_of_fifths.png +
, http://commons.wikimedia.org/wiki/Special:FilePath/Rank-2_temperaments_with_the_generator_close_to_a_fifth_and_period_an_octave.jpg +
|
| http://xmlns.com/foaf/0.1/isPrimaryTopicOf
|
http://en.wikipedia.org/wiki/31_equal_temperament +
|
| owl:sameAs |
http://nl.dbpedia.org/resource/31-toonsverdeling +
, http://yago-knowledge.org/resource/31_equal_temperament +
, http://rdf.freebase.com/ns/m.09m_dt +
, https://global.dbpedia.org/id/2zwVa +
, http://ja.dbpedia.org/resource/31%E5%B9%B3%E5%9D%87%E5%BE%8B +
, http://dbpedia.org/resource/31_equal_temperament +
, http://www.wikidata.org/entity/Q3261142 +
, http://fr.dbpedia.org/resource/Temp%C3%A9rament_par_division_multiple +
|
| rdf:type |
http://dbpedia.org/class/yago/Event100029378 +
, http://dbpedia.org/class/yago/PsychologicalFeature100023100 +
, http://dbpedia.org/class/yago/YagoPermanentlyLocatedEntity +
, http://dbpedia.org/ontology/Aircraft +
, http://dbpedia.org/class/yago/Temperament101000411 +
, http://dbpedia.org/class/yago/Abstraction100002137 +
, http://dbpedia.org/class/yago/WikicatEqualTemperaments +
, http://dbpedia.org/class/yago/Adjustment100999787 +
, http://dbpedia.org/class/yago/Calibration100999245 +
, http://dbpedia.org/class/yago/EqualTemperament101000610 +
, http://dbpedia.org/class/yago/Act100030358 +
, http://dbpedia.org/class/yago/Activity100407535 +
|
| rdfs:comment |
In music, 31 equal temperament, 31-ET, whi … In music, 31 equal temperament, 31-ET, which can also be abbreviated 31-TET (31 tone ET) or 31-EDO (equal division of the octave), also known as tricesimoprimal, is the tempered scale derived by dividing the octave into 31 equal-sized steps (equal frequency ratios). Each step represents a frequency ratio of 31√2, or 38.71 cents.a frequency ratio of 31√2, or 38.71 cents.
, De 31-toonsverdeling in de muziek is de ve … De 31-toonsverdeling in de muziek is de verdeling van het octaaf in 31 gelijke verhoudingen. Deze verdeling is geïntroduceerd door Christiaan Huygens, die de middentoonstemming als voorbeeld nam, maar daar het liefst een evenredige toonsverdeling van wilde maken. In een evenredige toonsverdeling kan namelijk naar believen gemoduleerd worden, zonder dat intervallen in de ene toonladder goed en in de andere anders of zelfs vals klinken. Net als de gangbare stemming is het systeem van Huygens dan ook een gelijkzwevende stemming.ygens dan ook een gelijkzwevende stemming.
, 31平均律（英: 31 equal temperament）は、31-tET, 31-EDO, 31-ET, とも略称され、オクターブを31段の等間隔なステップ（等しい周波数比）に分割することにより得られる音律である。各ステップは周波数比、または 1200/31 ≈ 38.70967742 セントである。
, Dans la théorie de la musique occidentale, un tempérament par division multiple consiste en une division de l’octave en plus de douze intervalles élémentaires de même taille. Lorsqu'il y a douze intervalles, on parle de tempérament égal.
|
| rdfs:label |
31-toonsverdeling
, 31 equal temperament
, Tempérament par division multiple
, 31平均律
|
